Why You Might Be Wrong About Color vs. Black-and-White Photography—Lessons from Helen Levitt’s Spider Girl
Photography Stories Martin Kaninsky Photography Stories Martin Kaninsky

Why You Might Be Wrong About Color vs. Black-and-White Photography—Lessons from Helen Levitt’s Spider Girl

Photography is full of choices, but few spark more debate than color vs. black-and-white. Both have their champions and their power. Through the lens of Helen Levitt’s Spider Girl, Let’s explore how this debate shaped her work—and why it still matters today. Story Behind The Photograph

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Why Street Photographer Garry Winogrand Didn’t Need Expensive Gear - What That Means for Your Photography
Photography Stories Martin Kaninsky Photography Stories Martin Kaninsky

Why Street Photographer Garry Winogrand Didn’t Need Expensive Gear - What That Means for Your Photography

Garry Winogrand’s “Untitled, c. 1962” captures a couple at a zoo, turning an everyday scene into a fascinating story. This article dives into Winogrand’s spontaneous photography style and John Szarkowski’s thoughts on the image, showing how a simple photo can be rich with detail and meaning. Story Behind The Photograph

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A Photographer’s Reckoning: How Will Green’s Pandemic Loss Became a Visual Narrative of Fragility
Photography Book Spotlight Martin Kaninsky Photography Book Spotlight Martin Kaninsky

A Photographer’s Reckoning: How Will Green’s Pandemic Loss Became a Visual Narrative of Fragility

Will Green’s Death and Other Belongings is a record of grief, loss, and the way memories linger in the smallest details. After losing both of his parents to Covid-19 within days of each other, Green turned to his camera, capturing a world that felt both familiar and unrecognizable. Photography Book Spotlight

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Dreams (夢) by Glen Snyder
Photo Essay Martin Kaninsky Photo Essay Martin Kaninsky

Dreams (夢) by Glen Snyder

Photographing dreams may sound impossible, but Glen Snyder’s ethereal images capture the elusive essence of the dream state. Inspired by Akira Kurosawa’s film Dreams and using a rare Pentax soft-focus lens, Snyder invites us into a world where reality melts into the subconscious, and the lines between black and white, motion and stillness, are beautifully blurred.

Picture Story

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The Unexpected Magic of Film Photography: Glen Snyder’s Konica FTA and the Sai Kung Sunset
Photography Stories Martin Kaninsky Photography Stories Martin Kaninsky

The Unexpected Magic of Film Photography: Glen Snyder’s Konica FTA and the Sai Kung Sunset

A 1968 Konica, a roll of film, and a perfect sunset—sometimes, that’s all you need. Film photography is slower, unpredictable, and demands patience. But that’s exactly what makes it special. Glen Snyder, understands this better than most. His work is built on precision and presence.

Story Behind The Photograph

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