Push/pull processing
Push processing is a technique used in film photography to increase the film's speed. This is accomplished by taking photographs with exposures that are shorter than what is typically advised and by increasing the amount of time spent developing the film proportionally. Photographers are able to work in lower light situations as a result, but the grain size of their images is increased. Pull processing refers to the technique of utilizing longer exposures than are advised and minimizing the amount of time spent developing the negative in order to produce a negative with less contrast and grain.
Prime lens
A lens that does not zoom, often known as a lens with a single and constant focal length.
Previsualisation
A word that was initially proposed by the groundbreaking photographer Ansel Adams, and which he defined in his book The Camera (1980) as "the ability to anticipate a finished image before making the exposure.”
Prefocusing
A method of manually focussing the camera that is employed for taking pictures of moving subjects. You concentrate the lens's focal point on a specific point or distance that you believe the subject will pass through throughout the shot. When this moment is achieved, the release button for the shutter is activated.
Predictive autofocus
An advanced form of autofocus seen on cameras, in which the focus is not only adjusted until the shutter is actually fired, but also continues to be adjusted during the delay between pushing the shutter button and the actual taking of the picture. This enables the camera to focus with greater precision even on subjects that are moving.
Polarizer
A filter that only allows light vibrating in a single plane to pass through it. It is possible to utilize it to further intensify the color of a particular portion of a photograph, such as the sky. It is also possible to utilize it to erase or diminish reflections on non-metallic surfaces, such as water or glass. This can be accomplished by using a special coating. In order to get the effect you want, you have to keep turning it while it's in front of the lens.
Pixel binning
A method of image processing that is utilized in certain cameras to combine the light values from multiple pixels in order to create a picture that has a lower resolution but is more sensitive to light. It is also employed in some video cameras because the native sensor resolution of those cameras is far higher than the resolution of the video that needs to be captured.
Pixels
The word "pixel," which stems from the phrase "image elements," is used to refer to the millions of square-shaped dots that comprise every digital photograph. They come together to form an image that is lifelike, much like the pieces that make up a mosaic. When you use the Zoom tool in Photoshop or Elements to zoom into your photographs, you are able to view each of these building components, and then you can alter them individually if you so desire.
Pixelated
A digital image in which individual pixels can be seen in great detail. This can be achieved by either having a very low resolution or by magnifying a tiny portion of the image at a very high level. Pictures are sometimes pixelated on purpose, such as when a person's face needs to be disguised for legal reasons in a publication like a newspaper.
Pinhole camera
A type of camera that projects an upside-down image onto photographic film or a digital sensor by means other than a lens. The image is created by using a small hole. The time of an exposure can range anywhere from a few seconds to several hours, and it is often handled manually. It is possible to turn DSLRs into pinhole cameras by exchanging the lens for a piece of plastic that has had a hole of around 0.3 millimeters in diameter drilled into it. Alternative pinhole cameras have been constructed out of a wide variety of materials, including shoe boxes and wheelie bins.
Pincushion distortion
A lens flaw or aberration that can be visible when photographing with telephoto lenses and causes parallel lines in an image to bow inwards towards the center of the frame. The result is reminiscent of the look that would be achieved by printing an image on a pincushion. Using post-capture tools like as Photoshop, it is possible to make the necessary adjustments.
Photoshop
Adobe's Photoshop is the industry-standard software tool that enables photographers to edit digital photographs on screen and save them as JPEG, TIFF, PNG, or GIF files. Photoshop is developed and distributed by Adobe. Thomas and John Knoll came up with the idea in 1987 and gave it the name Display when they first introduced it.
Photomicrography
The use of a microscope to produce photographic photographs of objects that are not visible to the naked eye. An adaptor is used to link a DSLR camera to a microscope, and the strength of the microscope is what determines the level of magnification that may be achieved.
Photojournalism
Journalism that documents current events with the use of a camera. Before television became the primary source of news, the 1930s through the 1950s were considered the "golden age" of photojournalism. Despite the fact that television has since taken over as the primary source of news, photojournalist continues to play an essential part in the media.
Perspective
The transformation of a three-dimensional scene into a two-dimensional image is accomplished through the application of perspective. Converging lines in a landscape, for instance, might be used to give the impression that there is more space behind the subject of the photograph. We are able to perceive the size of things and the distance that separate them through the use of perspective, which is relative to the viewpoint of the camera.
Parallax
An effect in which the image viewed through the viewfinder of a camera differs from the image seen through the lens of the camera, which causes portions of the scene to be absent from the photograph taken by the camera. It is found in all types of cameras, including Leica rangefinders and twin-lens reflex cameras, as well as other types of cameras with separate viewfinders and lenses.
Passive autofocus
An autofocus system that does not actively measure the subject distance but rather adjusts the focus of the lens based on an analysis of the image itself. The majority of digital cameras have a focusing method known as passive autofocus, which is sometimes referred to as phase-detection or contrast-detection autofocus.