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Project Interviews Martin Kaninsky 10/2/25 Project Interviews Martin Kaninsky 10/2/25

Why Martin Parr Says Most Photographers Overestimate Their Talents

Every bad picture is a step toward a good one. Martin Parr knows this better than most photographers. Interviews

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Project Interviews Martin Kaninsky 9/19/25 Project Interviews Martin Kaninsky 9/19/25

What Does It Mean to Be Close? Stephen Mccoy’s Proximity Exhibition Answers in Photographs, Not Words

What does it take to go beyond appearances? Stephen Mccoy’s new exhibition Proximity asks this question with quiet humor and honesty. Interviews

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Project Interviews Martin Kaninsky 9/3/25 Project Interviews Martin Kaninsky 9/3/25

How Architecture and Aging Intertwine: The Powerful Contrasts in Laurent Kronental’s Souvenir d’un Futur

What do wrinkles and cracked concrete have in common? Both are visible signs of time, showing how people and places carry the weight of history. Interviews

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Project Interviews Martin Kaninsky 8/24/25 Project Interviews Martin Kaninsky 8/24/25

How Ingrid Weyland Turns Crumpled Landscapes Into a Warning About Our Fragile Planet

This art turns fragile prints into fragile truths. Ingrid Weyland takes photographs of landscapes, prints them, and then crumples the paper. Interviews

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Project Interviews Martin Kaninsky 8/4/25 Project Interviews Martin Kaninsky 8/4/25

How Eric Davidove Finds Humor, Humanity, and Beauty on the Streets Without Staging a Thing

Can you capture humor and beauty in public without interfering? Eric Davidove has spent years trying to do exactly that. Interviews

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Project Interviews Martin Kaninsky 7/31/25 Project Interviews Martin Kaninsky 7/31/25

The Life Behind the Lens: How Stephen Shames Photographed Power, Pain, and Revolution

A cheap pawn shop camera launched one of America’s most powerful photographic archives. Stephen Shames didn’t plan to become a photographer. He just wanted a way to express himself. Interviews

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Project Interviews Martin Kaninsky 4/20/25 Project Interviews Martin Kaninsky 4/20/25

From Spiderman to Strangers in the Crowd: What 8 Years in Times Square Taught David Graham About New York

New Yorkers say to avoid it, tourists are everywhere, and the light is a mess. But for eight years, David kept returning with his camera, chasing color, movement, and sometimes, stillness. He used natural light and patience, waiting for the right moment. Interviews

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How Oviul Maruf’s Mother’s Rooftop Garden Became the Setting for Botanical Silence
How Oviul Maruf’s Mother’s Rooftop Garden Became the Setting for Botanical Silence

Oviul Maruf found a project in his mother’s garden. On the roof of their home in Sylhet, Bangladesh, she grows flowers that became subjects for many photographs in Botanical Silence. Interviews

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What Painting Changed About Janelle Lynch’s Photographs
What Painting Changed About Janelle Lynch’s Photographs

Color entered Janelle Lynch’s photographs through painting. In Another Way of Looking at Love, she photographed plants and trees on her property in the Catskills. Photography Book Spotlight

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From Amsterdam Walks to Family Life in Ukraine: What Connects Wesley Verhoeve’s Notice Books
From Amsterdam Walks to Family Life in Ukraine: What Connects Wesley Verhoeve’s Notice Books

Wesley Verhoeve photographs first and finds the story later. His Notice books began with learning to slow down during lockdown in Vancouver. Photography Book Spotlight

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From Brief Encounters to Years of Returning: Robin de Puy on Photographing People
From Brief Encounters to Years of Returning: Robin de Puy on Photographing People

Robin de Puy could no longer make this project alone. She first photographed Randy in Ely, Nevada, during a 2015 road trip and kept returning to him for more than ten years. Interviews

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