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Eric Meola Made Color His Subject – From India’s Ceremonies to Tornadoes on the Great Plains
Project Interviews Martin Kaninsky 10/28/25 Project Interviews Martin Kaninsky 10/28/25

Eric Meola Made Color His Subject – From India’s Ceremonies to Tornadoes on the Great Plains

What turns a childhood magic trick into fifty years of legendary photography? For Eric Meola, it started in a basement darkroom at age twelve. Interviews

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The Photographer Who Turns Accidents Into Art: Michael Turek on Blended Exposures and Contrails
Project Interviews Martin Kaninsky 10/26/25 Project Interviews Martin Kaninsky 10/26/25

The Photographer Who Turns Accidents Into Art: Michael Turek on Blended Exposures and Contrails

Michael Turek shows us a way of seeing how photography can be playful and serious at the same time. This interview explores the ideas, experiments, and stories behind his work. Interviews

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The 3-Part Formula Dotan Saguy Uses to Turn Street Chaos Into Strong PhotographS
Project Interviews Martin Kaninsky 10/20/25 Project Interviews Martin Kaninsky 10/20/25

The 3-Part Formula Dotan Saguy Uses to Turn Street Chaos Into Strong PhotographS

Street photography isn't about luck; it's about method. Most photographers walk the streets hoping something interesting will happen in front of their camera. Interviews

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Sandra Cattaneo Adorno and Gulnara Samoilova on Photography, Friendship, and Finding Your Voice
Project Interviews Martin Kaninsky 10/14/25 Project Interviews Martin Kaninsky 10/14/25

Sandra Cattaneo Adorno and Gulnara Samoilova on Photography, Friendship, and Finding Your Voice

Two photographers prove there's no single path into art. Sandra Cattaneo Adorno picked up her first camera at 60. Gulnara Samoilova fell in love with photography at 15 in Soviet Russia. Interviews

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Gregory Crewdson on Turning Suburban Streets Into Cinematic Worlds of Mystery and Light
Project Interviews Martin Kaninsky 10/8/25 Project Interviews Martin Kaninsky 10/8/25

Gregory Crewdson on Turning Suburban Streets Into Cinematic Worlds of Mystery and Light

Gregory Crewdson makes photos that look like movies.He builds scenes in small American towns where the streets, houses, and people look normal but something feels strange, like a moment from a story you cannot fully explain. Interviews

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Why Martin Parr Says Most Photographers Overestimate Their Talents
Project Interviews Martin Kaninsky 10/2/25 Project Interviews Martin Kaninsky 10/2/25

Why Martin Parr Says Most Photographers Overestimate Their Talents

Every bad picture is a step toward a good one. Martin Parr knows this better than most photographers. Interviews

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What Does It Mean to Be Close? Stephen Mccoy’s Proximity Exhibition Answers in Photographs, Not Words
Project Interviews Martin Kaninsky 9/19/25 Project Interviews Martin Kaninsky 9/19/25

What Does It Mean to Be Close? Stephen Mccoy’s Proximity Exhibition Answers in Photographs, Not Words

What does it take to go beyond appearances? Stephen Mccoy’s new exhibition Proximity asks this question with quiet humor and honesty. Interviews

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How Architecture and Aging Intertwine: The Powerful Contrasts in Laurent Kronental’s Souvenir d’un Futur
Project Interviews Martin Kaninsky 9/3/25 Project Interviews Martin Kaninsky 9/3/25

How Architecture and Aging Intertwine: The Powerful Contrasts in Laurent Kronental’s Souvenir d’un Futur

What do wrinkles and cracked concrete have in common? Both are visible signs of time, showing how people and places carry the weight of history. Interviews

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How Ingrid Weyland Turns Crumpled Landscapes Into a Warning About Our Fragile Planet
Project Interviews Martin Kaninsky 8/24/25 Project Interviews Martin Kaninsky 8/24/25

How Ingrid Weyland Turns Crumpled Landscapes Into a Warning About Our Fragile Planet

This art turns fragile prints into fragile truths. Ingrid Weyland takes photographs of landscapes, prints them, and then crumples the paper. Interviews

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How Eric Davidove Finds Humor, Humanity, and Beauty on the Streets Without Staging a Thing
Project Interviews Martin Kaninsky 8/4/25 Project Interviews Martin Kaninsky 8/4/25

How Eric Davidove Finds Humor, Humanity, and Beauty on the Streets Without Staging a Thing

Can you capture humor and beauty in public without interfering? Eric Davidove has spent years trying to do exactly that. Interviews

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The Life Behind the Lens: How Stephen Shames Photographed Power, Pain, and Revolution
Project Interviews Martin Kaninsky 7/31/25 Project Interviews Martin Kaninsky 7/31/25

The Life Behind the Lens: How Stephen Shames Photographed Power, Pain, and Revolution

A cheap pawn shop camera launched one of America’s most powerful photographic archives. Stephen Shames didn’t plan to become a photographer. He just wanted a way to express himself. Interviews

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From Spiderman to Strangers in the Crowd: What 8 Years in Times Square Taught David Graham About New York
Project Interviews Martin Kaninsky 4/20/25 Project Interviews Martin Kaninsky 4/20/25

From Spiderman to Strangers in the Crowd: What 8 Years in Times Square Taught David Graham About New York

New Yorkers say to avoid it, tourists are everywhere, and the light is a mess. But for eight years, David kept returning with his camera, chasing color, movement, and sometimes, stillness. He used natural light and patience, waiting for the right moment. Interviews

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How Sunrise Hunts and Serendipity Created the Look of Alex Kittoe’s book
How Claire Rosen Turned a Simple Visual Experiment Into a Call to Rethink How We Treat Animals
How Claire Rosen Turned a Simple Visual Experiment Into a Call to Rethink How We Treat Animals
How Eight Years in the Arctic Shaped Marta Bevacqua’s Most Personal Project
How Eight Years in the Arctic Shaped Marta Bevacqua’s Most Personal Project
How Hanno Ketterer Turned 1,000 War Letters Into a Powerful New Photographic Story About Love and Survival
How Hanno Ketterer Turned 1,000 War Letters Into a Powerful New Photographic Story About Love and Survival
Inside the Imagined Kyoto Yasuhiro Ogawa Spent 10 Years Photographing
Inside the Imagined Kyoto Yasuhiro Ogawa Spent 10 Years Photographing
Photopedia
Louis Stettner
Louis Stettner

“I have never been interested in photographs based solely on aesthetics, divorced from reality. I also doubt very much whether this is possible.”

Louis Faurer
Louis Faurer

“I have an intense desire to record life as I see it, as I feel it.”

Jan Groover
Jan Groover

“Formalism is everything.”

Sam Haskins
Sam Haskins

“All too frequently the amateur will purchase a fine modern camera and proceed to use it for making the most elementary simple snapshots. This surely is like playing ‘Chopsticks’ on a concert grand piano.”

Lee Friedlander
Lee Friedlander

"Photography is like fishing. You go out, and sometimes you catch something."


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