Ernst Haas
“Bored with obvious reality, I find my fascination in transforming it into a subjective point of view.”
Ernst Haas, an Austrian-born photographer, revolutionized the world of photography with his pioneering work in color. His exceptional ability to transform ordinary scenes into extraordinary compositions made him a legendary figure in street photography and beyond.
Early Life and Career
Ernst Haas was born on March 2, 1921, in Vienna, Austria. His early years were spent in a city rich with cultural heritage and artistic influence, which undoubtedly shaped his creative inclinations. Initially, Haas aspired to become a doctor, a path influenced by his family’s expectations and the socio-economic stability it promised. However, the devastation of World War II profoundly impacted his life and career trajectory.
After the war, Vienna was a city marked by chaos and reconstruction. It was in this environment that Haas found solace and expression through photography. In 1946, he acquired his first camera, a Rolleiflex, and began to experiment with the medium. His first significant photographic project documented the return of Austrian prisoners of war, capturing the raw emotions and stark realities of their experiences. These images were published in the magazine Heute, garnering critical acclaim and bringing Haas into the limelight.
The success of this project caught the attention of Life magazine, which featured his work and offered him a position as a staff photographer. Haas, valuing his artistic independence, declined the offer but continued to collaborate with the magazine.
In 1949, Haas joined Magnum Photos, an esteemed cooperative founded by Robert Capa, Henri Cartier-Bresson, George Rodger, and David “Chim” Seymour. This affiliation provided Haas with a platform to collaborate with some of the most influential photographers of the time. His relationships with Capa and Cartier-Bresson were particularly significant; they encouraged his exploration of color photography, a relatively uncharted territory in photojournalism during the early 1950s .
Haas’s move to the United States in 1951 marked a new chapter in his career. The vibrant and diverse urban landscape of New York City became his canvas. Embracing Kodachrome film, he started to experiment with color photography, capturing the city’s dynamic energy and transforming everyday scenes into visually striking compositions. His work during this period was characterized by a meticulous attention to color, light, and movement, distinguishing him as a pioneer in the field.
In 1953, Life magazine published Haas’s 24-page color photo essay on New York City, a groundbreaking feature that highlighted his innovative use of color and solidified his reputation as a master of the medium. This publication was significant not only for Haas’s career but also for the broader acceptance and appreciation of color photography in the art and photojournalism communities.
Throughout the 1950s and 1960s, Haas continued to push the boundaries of color photography, creating a body of work that was both technically brilliant and artistically profound. His ability to blend the aesthetic qualities of painting with the immediacy of photography earned him numerous accolades and a prominent place in photographic history. His collaborations with major publications like Vogue, Look, and Du magazine further cemented his influence and reach.
Photographic Style and Techniques
Ernst Haas is best known for his groundbreaking use of color photography. At a time when black-and-white dominated the field, Haas’s vibrant color images stood out. He began experimenting with Kodachrome color film in the early 1950s, pushing the boundaries of what was considered acceptable in photojournalism and art photography. His work often featured:
• Selective Focus and Narrow Depth of Field: Haas used these techniques to isolate subjects and create a painterly effect.
• Blurred Motion: He captured movement in a way that conveyed emotion and dynamism, often using slow shutter speeds.
• Abstract Compositions: Haas’s images frequently resembled abstract paintings, emphasizing form and color over traditional narrative.
Career Highlights
• 1953: Life magazine published his 24-page color photo essay on New York City, a groundbreaking feature that highlighted his innovative use of color.
• 1962: The Museum of Modern Art in New York hosted a retrospective of his work, the first color photography exhibition at the institution.
• Books: Haas authored several influential books, including The Creation (1971) and In America (1975), which showcased his mastery of color and composition.
• Awards: He received numerous accolades, including the prestigious Hasselblad Award in 1986.
Photography Gear
Cameras
• Leica M3: Known for its precision and compact design, the Leica M3 was ideal for street photography, allowing Haas to shoot candidly and spontaneously.
• Rolleiflex: This medium format camera provided exceptional image quality and was perfect for Haas’s detailed, high-resolution work.
Lenses
• Summicron 50mm f/2: A versatile lens that offered sharpness and excellent low-light performance, enabling Haas to capture a range of scenes with clarity.
• Elmarit 90mm f/2.8: This telephoto lens allowed Haas to isolate subjects from a distance, creating intimate portraits without intruding on the scene.
Film
• Kodachrome: Renowned for its rich color saturation and fine grain, Kodachrome film was instrumental in Haas’s ability to produce vibrant and dynamic images.
Photography Books
“Ernst Haas: New York in Color, 1952-1962” is a captivating collection that showcases Haas’s early color photography during his time in New York City. Moving from Vienna to New York in 1951, Haas embraced the vibrant energy of the city, capturing its essence through the lens of Kodachrome film. This book highlights his remarkable talent for color photography, presenting images rich in depth, lyricism, and dramatic tension. Practicing photographers will find inspiration in Haas’s innovative use of color to convey the dynamism of urban life, demonstrating his technical prowess and artistic vision.
“Ernst Haas: The American West” offers a poignant portrayal of America’s geographic and cultural landscapes through Haas’s color-saturated images. From desert storms and neon lights to small-town parades and rural poverty, Haas’s photographs communicate a unique pictorial language filled with poetry and light. This book serves as both a national portrait and a celebration of analog color photography, making it a valuable resource for photographers interested in capturing the vast and diverse beauty of the American West. Haas’s ability to blend a journalist’s perspective with an artist’s eye offers profound insights into the storytelling potential of color photography.
“Ernst Haas: Abstract” is a visually stunning collection that showcases Haas’s most cherished and personal project. Originally conceived as an audiovisual slideshow, this book features high-quality reproductions of images captured from 1952 to 1984. While titled “Abstract,” many photographs depict recognizable surfaces and scenes, revealing Haas’s mastery of color, light, and composition. Photographers will appreciate the way Haas transforms everyday details into poetic visual narratives, encouraging a deeper exploration of the abstract elements in their surroundings. David Campany’s introductory essay provides valuable context and enhances the reader’s understanding of Haas’s artistic journey.
“In America” presents an extraordinary collection of images that capture the essence of American life and landscapes. From natural phenomena to man-made creations, Haas offers unique glimpses into “living Americana.” This book features 105 full-page color plates, each showcasing Haas’s supreme ability to depict the beauty and diversity of the American experience. Photographers will find this collection inspiring for its comprehensive portrayal of America’s vastness and the delicate interplay of land, water, and sky. Haas’s work in this volume serves as a testament to his skill as a color photographer and his deep connection to the subject matter.
Quotes
“There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.”
“Bored with obvious reality, I find my fascination in transforming it into a subjective point of view.”
“The camera doesn’t make a bit of difference. All of them can record what you are seeing. But you have to SEE.”
“Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken.”
“A picture is the expression of an impression. If the beautiful were not in us, how would we ever recognize it?”
Legacy and Influence
Ernst Haas’s contributions to photography have left an indelible mark on the field. His innovative use of color and abstract compositions paved the way for future generations of photographers. Haas’s work remains influential, continuing to inspire photographers to see the world through a different lens and to explore the artistic potential of color and form.
Photographers like Saul Leiter and Joel Meyerowitz have shared Haas’s passion for color and street photography, contributing to the rich legacy of visual storytelling that Haas helped to establish.
Walker Evans
“Good photography is unpretentious.”
Walker Evans, an iconic figure in American documentary photography, is best known for his stark and evocative images of the Great Depression. His work, characterized by its straightforward and unembellished style, has profoundly influenced the field of photography. Evans’s ability to capture the essence of American life in the early 20th century has cemented his place as a pivotal figure in the history of the medium.
Early Life and Career
Born on November 3, 1903, in St. Louis, Missouri, Walker Evans spent much of his childhood in the Chicago suburb of Kenilworth before attending several prestigious schools, including Phillips Academy and Williams College. His academic pursuits were marked by inconsistency, leading him to leave Williams College after only one year. In 1926, Evans moved to Paris to study at the Sorbonne, where he attempted to become a writer. However, his literary ambitions were not realized, and upon his return to New York in 1927, he began to explore photography seriously.
Evans’s early work in the late 1920s and early 1930s focused on the modernist aesthetic, capturing semiabstract patterns of skyscrapers and other architectural elements. His style shifted significantly after encountering the work of French photographer Eugène Atget, known for his simple and direct photographs of Paris. This encounter marked a turning point in Evans’s career, steering him towards documentary photography.
Photographic Style and Techniques
Evans’s photographic style is best described as “lyric documentary,” a term he himself used. His work is characterized by its clarity, precision, and lack of artifice. Evans sought to present his subjects with an unflinching honesty, avoiding dramatic or sentimental approaches. His photographs often depict everyday scenes and objects, such as vernacular architecture, street signs, and domestic interiors, all presented with a meticulous attention to detail.
One of Evans’s most notable techniques was his use of large-format cameras, which allowed for highly detailed and sharp images. During his time with the Farm Security Administration (FSA), Evans primarily used an 8x10-inch view camera. This equipment was crucial in producing the clear, detailed images that became his hallmark. Later in his career, Evans experimented with the Polaroid SX-70, appreciating its simplicity and instant results.
Career Highlights
• Farm Security Administration (FSA): From 1935 to 1937, Evans worked for the FSA, documenting the effects of the Great Depression. His images from this period, including iconic portraits of tenant farmers and rural life, remain some of his most powerful and enduring work.
• “Let Us Now Praise Famous Men” (1941): This collaborative project with writer James Agee documented the lives of three sharecropping families in Alabama. Although initially overlooked, the book is now considered a seminal work in both photography and American literature.
• “American Photographs” (1938): This exhibition and accompanying book, hosted by the Museum of Modern Art, was the first solo exhibition for a photographer at the museum. The publication remains a benchmark in photographic monographs.
• “Many Are Called” (1966): A collection of photographs taken surreptitiously in the New York City subway using a hidden camera. These candid portraits offer a fascinating glimpse into the lives of everyday commuters.
Photography Gear
Cameras and Equipment
• 8x10 View Camera: This large-format camera was essential for Evans’s FSA work, providing the sharp detail and tonal range needed for his documentary style.
• 35mm Contax: Used for his subway series “Many Are Called,” this camera’s compact size and quality optics made it ideal for candid street photography.
• Polaroid SX-70: In his later years, Evans embraced the Polaroid SX-70 for its convenience and immediacy, using it to capture street scenes and ephemeral details of urban life.
Lenses
• Wide-Angle Lenses: These were crucial for capturing expansive scenes of rural America during his FSA work, allowing Evans to include significant detail and context in his compositions.
• Standard Prime Lenses: Preferred for their sharpness and versatility, these lenses were used extensively in his subway portraits and other street photography projects.
Accessories
• Tripods: Vital for the stability and precision required in large-format photography, particularly in low-light conditions or long exposures.
• Cable Releases: Essential for reducing camera shake during long exposures, especially when using the view camera.
Photography Books
“Walker Evans: American Photographs: Seventy-Fifth Anniversary Edition”: This landmark publication, originally released in 1938 to accompany an exhibition at the Museum of Modern Art, remains one of the most significant photobooks ever published. The seventy-fifth anniversary edition aims to recreate the original book as closely as possible, using new digital technologies for improved reproductions. The collection offers a profound insight into American life during the early 1930s, capturing the essence of the nation’s social and cultural landscape. Practicing photographers will find immense value in Evans’s meticulous composition and his ability to convey powerful narratives through ordinary scenes. This book is a masterclass in documenting reality with authenticity and artistic integrity.
“Walker Evans: The Magazine Work”: This compilation assembles many of Evans’s photo-essays published in various magazines, showcasing his innovative approach to photojournalism. From small avant-garde publications to mainstream magazines like Harper’s Bazaar and Life, Evans’s work in these outlets demonstrates his versatility and commitment to the printed page. This book provides valuable lessons for photographers on maintaining artistic autonomy while working within commercial constraints. Evans’s ability to create compelling visual stories for diverse audiences is a testament to his skill and creativity, offering inspiration and practical techniques for integrating photography with editorial content.
“Walker Evans: Signs”: Focusing on one of Evans’s recurring themes, this book explores his fascination with signs and their role in American culture. From billboards to street graffiti, Evans’s photographs of signs are not just visual records but also social commentaries. The accompanying essay by Andrei Codrescu provides a thought-provoking analysis of Evans’s work, highlighting the intersection of art and everyday life. This collection is particularly useful for photographers interested in capturing the urban landscape and its myriad visual cues. Evans’s keen eye for detail and composition turns mundane subjects into profound statements, illustrating the power of photography to reveal hidden layers of meaning.
“Walker Evans: Depth of Field”: This comprehensive volume offers the most extensive study of Evans’s work, spanning his entire career from the 1930s to the 1970s. It includes a wide range of images, from his early work with a vest pocket camera to his later experiments with the Polaroid SX-70. The book features insightful commentary from notable photography historians and Evans’s longtime friends, providing a deep understanding of his techniques and artistic philosophy. This book is an invaluable resource for studying Evans’s “anti-art” approach and his relentless pursuit of capturing the American experience with honesty and precision. The detailed analysis and rich visual content make it a compelling guide for those looking to refine their own documentary photography skills.
Quotes
• “Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.”
• “The guard is down and the mask is off. Even more than in lone bedrooms (where there are mirrors), people’s faces are in naked repose down in the subway.”
• “Good photography is unpretentious.”
• “I work from the belief that everything is interesting.”
• “Photography is the most literary of the graphic arts.”
Legacy and Influence
Walker Evans’s legacy in documentary photography is profound. His approach to capturing the American experience with stark realism has influenced countless photographers. His work is often associated with the vernacular style, focusing on ordinary subjects and everyday scenes. Helen Levitt, known for her candid street photography in New York City, and Henri Cartier-Bresson, famed for his decisive moment technique, share similarities with Evans in their unembellished and truthful approach to their subjects.
Evans’s influence extends beyond photography into the broader cultural and artistic realms. His work has inspired visual artists and filmmakers, contributing to a deeper understanding of American history and identity. The honesty and integrity of his images continue to resonate, ensuring that Walker Evans remains a central figure in the canon of American photography.
Stephen Shore
“The artist’s task is to find the right point of view, the right angle, to create something that didn’t exist before.”
Stephen Shore is a name synonymous with the pioneering spirit of color photography and the exploration of the American vernacular landscape. Born on October 8, 1947, Shore’s career spans decades, during which he has consistently pushed the boundaries of documentary photography. Known for his deadpan and contemplative style, Shore’s work captures the extraordinary in the ordinary, providing a profound commentary on the American experience through his lens.
Early Life and Career
Stephen Shore was born and raised in New York City. He developed an interest in photography at a young age, receiving a darkroom kit as a gift when he was six. This early exposure laid the foundation for what would become a prolific career. By the time he was fourteen, Shore was already engaging with influential figures in photography, notably spending time at Andy Warhol’s Factory, where he documented the vibrant and eccentric environment.
In 1971, Shore became the first living photographer to have a solo exhibition at the Metropolitan Museum of Art in New York, a significant milestone that marked the beginning of his recognition as a major figure in contemporary photography.
Photographic Style and Techniques
Shore’s photographic style is characterized by its meticulous composition, use of natural light, and the depiction of banal, everyday scenes. His approach to photography is deeply contemplative, often requiring extensive time to set up and capture a single shot. Shore’s use of a large-format 8x10 camera, which he adopted in the early 1970s, necessitated a slow and deliberate process. This methodical approach is evident in his seminal works such as Uncommon Places and American Surfaces, which document mundane American landscapes with a sense of clarity and precision.
One of Shore’s guiding principles is the use of natural light, avoiding artificial lighting and flash in his work. This preference for natural illumination lends his photographs an authentic and unembellished quality. Additionally, Shore’s discipline in taking minimal shots and doing very little post-editing underscores his commitment to capturing the essence of a scene as it naturally unfolds.
Career Highlights
• Uncommon Places (1982): This series is a cornerstone of Shore’s work, capturing unremarkable American landscapes with a large-format camera. The series helped establish color photography as a legitimate form of artistic expression.
• American Surfaces (1999): A groundbreaking collection of photographs from Shore’s cross-country road trips in the 1970s. The series documents everyday American life with a raw and unfiltered perspective.
• Guggenheim Fellowship (1975): Shore received this prestigious fellowship, which enabled him to continue his explorations of the American landscape.
• Exhibitions at Major Institutions: Shore’s work has been exhibited at the Museum of Modern Art in New York, the George Eastman House in Rochester, and the International Center of Photography, among others.
Photography Gear
Large-Format 8x10 Camera
Kodak Ektachrome Film
Leica M Camera
Digital Cameras (Canon EOS Series)
Photography Books
“Stephen Shore: Uncommon Places: The Complete Works”
Originally published in 1982, Uncommon Places is one of Stephen Shore’s most influential works. This reissued edition, published by Aperture in 2005, includes nearly 20 rediscovered images and new commentary from Shore. The book captures Shore’s large-format color photographs of everyday American landscapes, documenting the mundane with a precision and clarity that transforms ordinary scenes into compelling art. The additional essays by Stephan Schmidt-Wulffen and Lynne Tillman offer insights into Shore’s methodology and artistic roots, making this book a valuable resource for photographers interested in color photography and documentary work.
“Stephen Shore: American Surfaces: Revised & Expanded Edition”
American Surfaces is a seminal work in Shore’s oeuvre, originally published in 2005. This revised and expanded edition brings back the groundbreaking collection of 320 photographs from Shore’s travels across America in 1972-73. Known for documenting the extraordinary in the ordinary, Shore’s images in this book continue to serve as a benchmark for documentary photography. The inclusion of previously unpublished photographs and a new introduction provides fresh insights and inspiration for contemporary photographers, especially those interested in the narrative potential of everyday scenes.
“Topographies: Aerial Surveys of the American Landscape”
In Topographies: Aerial Surveys of the American Landscape, Shore explores new perspectives using drone photography. This body of work, initiated in 2020, captures the interplay of natural and man-made landscapes in various locations across the United States. Revisiting the themes of the 1975 exhibition ‘New Topographics’, Shore uses aerial viewpoints to examine the relationship between the natural and the constructed environment. With its focus on detail and the unexpected beauty in everyday scenes, this book is a valuable resource for photographers interested in aerial photography and the objective documentation of landscapes. An essay by Richard Woodward further contextualizes Shore’s work within contemporary photographic practice.
“Modern Instances: The Craft of Photography”
Modern Instances: The Craft of Photography is an expanded edition of Shore’s acclaimed memoir, offering a deep dive into his photographic practice and philosophy. This edition includes new essays, over forty new images, and extensive notes reflecting on the original text. Shore shares his experiences, techniques, and insights from decades of teaching, making this book an essential handbook for photographers seeking to master their craft. The book encourages readers to find inspiration in everyday moments and to think creatively about the world around them, providing both practical advice and philosophical reflections on photography.
Quotes
“To see something spectacular and recognize it as a photographic possibility is not really very interesting to me. Good photographers don’t see ‘things.’ They see ‘patterns.’”
“I was curious about what I would find when I traveled. I didn’t have a preconceived notion of what I was going to encounter.”
“Photography is inherently an analytic discipline. Where the painting constructs, the photograph dissects.”
“The artist’s task is to find the right point of view, the right angle, to create something that didn’t exist before.”
“I’ve found through experience that whenever—or so it seems—my attention wanders or I look away then surely a fish will rise to the fly and I will be too late setting the hook.”
Legacy and Influence
Stephen Shore’s influence on the world of photography is profound and far-reaching. His work has helped to legitimize color photography as an art form, inspiring countless photographers to explore the medium’s potential. Shore’s ability to find beauty and significance in the mundane has resonated with a generation of photographers who seek to document the everyday world around them.
Shore’s meticulous approach and his emphasis on natural light and minimal post-processing have set a standard for documentary photography. His work continues to be studied and admired, solidifying his place as a pivotal figure in the history of photography. Notably, his contributions align him with other great photographers like Robert Frank and Walker Evans, who also sought to capture the essence of American life through their lenses.
For those interested in exploring the work of Stephen Shore, his books Uncommon Places and American Surfaces remain essential reads, offering a deep dive into his unique vision of the American landscape. His exhibitions continue to draw attention, and his legacy as a trailblazer in documentary photography endures.
William Eggleston
“I am at war with the obvious.”
Portrait by Bill Brown
William Eggleston, often hailed as the godfather of color photography, revolutionized the medium with his vibrant depictions of everyday life in the American South. His work transcends mere documentation, capturing the essence of his subjects with a unique blend of color, composition, and a keen eye for the extraordinary in the mundane.
Early Life and Career
Born on July 27, 1939, in Memphis, Tennessee, William Eggleston grew up in the culturally rich environment of the southern United States. His early life was marked by a profound interest in visual arts, which led him to study at various institutions, including Vanderbilt University and the University of Mississippi. However, it was his time at Harvard that proved pivotal, as he prepared his first significant portfolio, “14 Pictures” (1974)
Photographic Style and Techniques
Eggleston’s photographic style is characterized by its vibrant use of color and unorthodox composition. His shift from black and white to color photography in the mid-1960s marked a significant turning point. Utilizing the dye-transfer printing process, Eggleston achieved rich, saturated colors that became a hallmark of his work. This process, typically reserved for commercial applications, allowed him to manipulate each color individually, resulting in striking images like “The Red Ceiling” .
Eggleston’s technique often involved shooting without a viewfinder, akin to a shotgun approach, which he likened to a more intuitive and less calculated method of capturing moments. This approach contributed to his distinctive “snapshot” aesthetic, characterized by spontaneous, candid compositions that evoke a sense of immediacy and authenticity .
Career Highlights
Eggleston’s career is studded with notable achievements and exhibitions. His 1976 solo exhibition at the Museum of Modern Art (MoMA) in New York is often cited as a watershed moment in the acceptance of color photography as a legitimate art form . This exhibition, curated by John Szarkowski, featured works that highlighted Eggleston’s ability to find beauty and significance in ordinary scenes.
Over the decades, Eggleston’s work has been published extensively, with significant portfolios including “William Eggleston’s Guide” (1976), “The Democratic Forest” (1989), and “Chromes” (2011) . His images have graced numerous album covers and his influence extends into music, with the release of his own electronic soundscapes in 2017.
Photography Gear
Cameras
• Leica M6: Known for its precision and reliability, the Leica M6 was a favored camera for its compact size and exceptional lens quality, ideal for Eggleston’s street and documentary photography.
• Canon AE-1: This SLR camera provided versatility and ease of use, making it a staple in Eggleston’s gear for capturing spontaneous moments.
Lenses
• 50mm f/1.4: Often used for its ability to capture images in low light with a shallow depth of field, perfect for Eggleston’s intimate and detailed shots.
• 28mm f/2.8: A wide-angle lens that allowed Eggleston to include more context and environment in his compositions, enhancing the storytelling aspect of his photographs.
Film
• Kodachrome 64: Known for its rich color saturation and fine grain, this film was crucial in achieving the vivid hues that Eggleston’s work is celebrated for.
Photography Books
William Eggleston’s Guide was the first one-man show of color photographs ever presented at The Museum of Modern Art (MoMA) in New York, significantly altering the art world’s perception of color photography. This book, featuring 48 carefully curated images from over 375 taken between 1969 and 1971, showcases Eggleston’s mastery of color as a crucial compositional element. The guide’s textured cover, inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, adds to its charm. The images, portraying everyday scenes in and around Memphis, exemplify Eggleston’s ability to find beauty in the mundane, offering practicing photographers invaluable lessons in composition, color usage, and the art of capturing everyday life with a refined, yet deceptively casual look.
William Eggleston: Chromes is a three-volume set that delves into over 5,000 Kodachromes and Ektachromes taken by Eggleston, chronicling his early experiments with color and composition. This collection, drawn from binders found in the Eggleston Artistic Trust, offers a rare glimpse into the evolution of Eggleston’s photographic style. The images capture early Memphis scenes and highlight Eggleston’s developing technique of creating balanced compositions from seemingly random objects. The “Chromes” provides a comprehensive view of how Eggleston’s eye for color and composition matured, demonstrating the process of refining one’s craft and the importance of exploring and experimenting with new techniques.
William Eggleston: The Outlands presents nearly one hundred previously unseen images from the 1960s and 1970s. This series captures the evolving American South through vibrant colors and nostalgic themes, establishing visual motifs that Eggleston would continue to develop throughout his career. The book includes a variety of memorable images, such as a wood-paneled station wagon in a rural setting and intimate portraits of Eggleston’s family. Accompanied by a fictional narrative from Rachel Kushner and scholarly insights from Robert Slifkin, this book offers photographers an in-depth look at Eggleston’s dynamic and experimental practice, emphasizing the importance of revisiting and reinterpreting familiar landscapes and subjects.
William Eggleston Portraits showcases a collection of Eggleston’s masterful portraits, highlighting his ability to elevate the commonplace to art through his unique compositions and use of color. The book features a range of subjects, from anonymous individuals in his hometown of Memphis to celebrities like Dennis Hopper and Eudora Welty. It also includes an essay, a chronology, and interviews with Eggleston and his family, providing new insights into his artistic process. For photographers, this collection emphasizes the significance of capturing candid moments and the narrative potential of portrait photography, offering inspiration for creating compelling and evocative images of everyday life.
Quotes
“I am at war with the obvious.”
“I’ve never taken the same picture twice.”
“I don’t know of any totally red pictures, except in advertising. The photograph is still powerful. It shocks you every time.” - Eggleston on the iconic “The Red Ceiling”.
“The world is so visually complicated, I don’t want it simplified.”
“I am afraid that there is nobody else in the world exactly like me, and I am afraid that there is nobody else in the world exactly like you either.”
Legacy and Influence
William Eggleston’s influence on photography is profound and far-reaching. By elevating color photography to an art form, he paved the way for future generations of photographers. His work has been compared to that of Saul Leiter, who also utilized color to transform street photography into a vibrant, expressive medium even thought Leiter is often more abstract. Similarly, Stephen Shore shares Eggleston’s fascination with everyday scenes and color, contributing to the evolution of contemporary photographic art.
Eggleston continues to inspire and challenge photographers to look beyond the surface, finding beauty and meaning in the overlooked corners of the world. His legacy is preserved through institutions like the Eggleston Artistic Trust and the Eggleston Art Foundation, ensuring that his contributions to photography will be appreciated for generations to come .
In conclusion, William Eggleston’s pioneering work in color photography has left an indelible mark on the art world, encouraging photographers to embrace color and the everyday with a fresh perspective.
Josef Koudelka
“I prefer people to look at my pictures and invent their own stories.”
Josef Koudelka, born in 1938 in Boskovice, Czechoslovakia, is a name that resonates deeply within the world of documentary photography. His compelling black-and-white images, often exploring themes of exile, displacement, and the human condition, have established him as a monumental figure in the realm of visual storytelling.
Early Life and Career
Koudelka’s journey into photography began in an unconventional manner. Initially trained as an aeronautical engineer, Koudelka worked in Prague and Bratislava from 1961 to 1967. His passion for photography, however, quickly overshadowed his engineering career. He started by capturing images of theater productions, and this early work laid the foundation for his distinctive photographic style.
In 1968, Koudelka’s life took a dramatic turn. He documented the Warsaw Pact invasion of Prague, producing images that would later be smuggled out of the country and published anonymously in Magnum Photos. These powerful images earned him international acclaim and the Robert Capa Gold Medal in 1969 for his courage and enterprise in photographic reporting.
Photographic Style and Techniques
Koudelka’s work is characterized by its stark black-and-white imagery, which emphasizes contrast and texture to convey powerful emotions and narratives. His approach to photography is deeply immersive; he often spends extended periods with his subjects, capturing their lives with an authenticity that few can match.
Key Elements of Koudelka’s Style:
• High Contrast: Koudelka’s use of high contrast in black-and-white photography creates a dramatic effect, highlighting the subjects and their environments in a striking manner.
• Panoramic Format: Later in his career, Koudelka adopted the panoramic format, particularly for his landscape work. This technique allowed him to capture wide vistas and complex scenes in a single frame, providing a more comprehensive view of his subjects.
• Human Condition: A recurring theme in Koudelka’s work is the exploration of the human condition. Whether documenting the lives of Roma people or the environmental devastation in the Black Triangle, his images always strive to tell the deeper story of human experiences and struggles.
Career Highlights
• Gypsies (1975): This seminal work documents the lives of Roma communities in Eastern Europe. Koudelka’s empathetic portrayal brought attention to their culture and struggles, offering a rare glimpse into a marginalized community.
• Exiles (1988): This book reflects Koudelka’s own sense of displacement and wandering after leaving Czechoslovakia. The images capture the essence of exile and the search for identity and belonging.
• The Black Triangle (1994): This project documents the environmental destruction in the Ore Mountains region, showcasing Koudelka’s ability to find aesthetic beauty in devastation and to comment on human impact on nature.
• Wall (2013): In this series, Koudelka captures the imposing barrier between Israel and Palestine, reflecting his own experiences growing up behind the Iron Curtain and providing a poignant commentary on division and conflict.
Photography Gear
• Leica M4: Known for its reliability and compact size, the Leica M4 was Koudelka’s camera of choice during the Soviet invasion of Prague. Its discreet design allowed him to capture images under dangerous conditions.
• Rolleiflex: This medium-format twin-lens reflex camera was used by Koudelka for many of his early theater and portrait works, providing high-quality images with rich detail.
• Panoramic Cameras: For his landscape work, Koudelka often used panoramic cameras, such as the Fuji GX617. These cameras allowed him to capture expansive scenes with a level of detail and breadth that standard formats couldn’t achieve.
Photography Books
“Invasion 68: Prague” captures the profound and turbulent moments of the Soviet-led invasion of Czechoslovakia in August 1968. Josef Koudelka, who had never photographed a news event before, found himself amidst the chaos and captured a series of powerful images that documented the invasion. These photographs were smuggled out of the country and credited to an anonymous Czech photographer to avoid reprisals. The book includes nearly 250 images, most of which are published for the first time, alongside press and propaganda quotations from the era.
This book offers a profound look into a significant historical event, providing a rich source of inspiration and understanding of the power of documentary photography. Featuring previously unpublished photographs, it gives insight into Koudelka’s extensive archive and his meticulous selection process. The inclusion of contemporary press quotes enhances the narrative, demonstrating how to weave text and images to tell a compelling story, making it a valuable resource for practicing photographers.
“Josef Koudelka: Exiles” reflects the personal and profound experience of exile, a theme central to Koudelka’s life after he left Czechoslovakia in 1968. The photographs capture the essence of solitude and the transient nature of life through Koudelka’s years of wandering across Europe and Great Britain.
The images in “Exiles” evoke a deep sense of alienation and disconnection, offering a masterclass in conveying emotion through photography. Addressing themes of migration and transience that remain relevant, the book provides a timeless resource for photographers exploring similar subjects. The revised edition offers new insights and additional images, enriching the original narrative and providing further study material for those interested in the emotional depth of documentary photography.
“Josef Koudelka: Ruins” showcases Koudelka’s panoramic photographs of over two hundred archaeological sites across the Mediterranean. Over more than twenty years, Koudelka visited locations like Delphi, Pompeii, Petra, and Carthage, capturing stark and mesmerizing images that reflect the grandeur and decay of ancient civilizations. This book, published in conjunction with a major exhibition at the Bibliothèque nationale de France, includes essays by experts that offer additional context.
“Ruins” demonstrates the use of the panoramic format to capture vast landscapes and intricate details of historical sites. Providing a visual journey through ancient ruins, it offers inspiration for photographers interested in cultural and historical subjects. The included essays enrich the visual content, showing how interdisciplinary insights can enhance photographic projects, making it a comprehensive resource for understanding the intersection of photography and cultural history.
Quotes
“I prefer people to look at my pictures and invent their own stories.”
“The maximum, what one photograph can do, is to give you one feeling and to give you one idea.”
“I have always been interested in what happens when two lives meet, especially in those rare moments when they merge into something completely new.”
“For me, the camera is a sketchbook, an instrument of intuition and spontaneity.”
“I don’t believe in words. Words don’t last. I’m interested in images.”
“I don’t believe in words. Words don’t last. I’m interested in images.”
Legacy and Influence
Josef Koudelka’s influence on the world of documentary photography is profound and enduring. His work has inspired countless photographers to pursue authenticity and emotional depth in their images. By documenting the marginalized and the monumental with equal intensity, Koudelka has expanded the scope of what documentary photography can achieve.
A photographer with similar ability to find beauty in the midst of chaosis Sebastião Salgado, whose black-and-white images also capture the grandeur and tragedy of the human condition. Similarly, Eugene Smith shared Koudelka’s dedication to telling the stories of those often overlooked by society.
Koudelka’s work continues to be exhibited and published worldwide, ensuring that his vision and voice remain vital parts of the photographic landscape. His images serve as powerful reminders of our shared humanity and the enduring power of visual storytelling.
Abbas Attar
“My photography is a reflection, which comes to life in action and leads to meditation.”
Abbas Attar, known simply as Abbas, was an Iranian-born photographer whose work spanned over six decades, covering some of the most significant global conflicts and societal changes of the 20th and early 21st centuries. He was renowned for his compelling black-and-white photographs that went beyond mere documentation to tell profound stories about the human condition.
Early Life and Career
Born on March 29, 1944, in Khash, Iran, Abbas Attar began his career as a photographer in the 1960s. He initially worked in Paris, where he joined Sipa Press in 1971 and later Gamma in 1974. His early work involved covering major conflicts such as the Biafra War, the Vietnam War, and the South African apartheid regime. His photographs from this period are marked by their dramatic intensity and deep empathy for the subjects.
In 1981, Abbas joined Magnum Photos, a prestigious cooperative agency known for its high standards in documentary photography. This membership marked a significant turning point in his career, allowing him to reach a broader audience and engage in more extensive projects.
Photographic Style and Techniques
Abbas’s photographic style is characterized by its thoughtful composition, stark contrasts, and profound depth. He was a master of black-and-white photography, which he used to great effect to highlight the gravity and emotional weight of his subjects. Abbas believed in capturing “a suspended moment,” where the image is part of a larger narrative, suggesting continuity beyond the frame.
He approached photography with the mindset of a storyteller, often spending years on a single project to fully explore and understand his subjects. His technique involved immersing himself in the environment and patiently waiting for the right moment to capture a scene that would resonate on a deeper level. Abbas once said, “My photography is a reflection, which comes to life in action and leads to meditation. Spontaneity – the suspended moment – intervenes during action, in the viewfinder”.
Career Highlights
Throughout his career, Abbas documented many of the world’s most critical events and movements. Some of his notable works include:
• Iranian Revolution (1979): Abbas’s coverage of the Iranian Revolution is among his most acclaimed works. His photos capture the fervor and turmoil of the period, providing a vivid chronicle of the revolution’s impact on Iranian society.
• Wars and Conflicts: Abbas covered conflicts in Biafra, Bangladesh, Northern Ireland, Vietnam, and Bosnia. His work in Sarajevo during the Bosnian War, for instance, provided haunting images that captured the human cost of the conflict.
• Religious Studies: Post-revolution, Abbas turned his focus to religion. He spent years documenting the resurgence of Islam across the world, culminating in his book “Allah O Akbar: A Journey Through Militant Islam” (1994). He also explored Christianity and other religions in subsequent projects.
Photography Gear
• Leica M3/M4: Renowned for their robustness and the quality of their lenses, these cameras were ideal for the kind of in-the-moment, high-stress environments Abbas often found himself in. The Leica’s compact size and quiet shutter made it perfect for unobtrusive shooting.
• Canon EOS Series: Abbas used various models from the Canon EOS series for their reliability and versatility. The advanced autofocus system and wide range of compatible lenses allowed him to adapt to different shooting conditions quickly.
• Nikon FM2: Known for its durability and mechanical precision, the Nikon FM2 was another favorite. Its all-metal construction and dependable performance made it suitable for the rugged conditions Abbas often faced.
Photography books
In “Allah O Akbar: A Journey Through Militant Islam,” Abbas provides a comprehensive exploration of the diverse and complex nature of militant Islam across 29 countries and four continents. Over seven years, he captures the intricacies of various Muslim societies, documenting political events, revolutions, and the everyday lives of people in these regions. The book is a visual diary that delves into the internal strains and dynamics within the Islamic world. For practicing photographers, this book is invaluable for its demonstration of how to approach sensitive and volatile subjects with nuance and depth. Abbas’s ability to convey powerful narratives through his images offers profound insights into the role of a documentary photographer in capturing socio-political realities.
“In Whose Name?: The Islamic World after 9/11” documents Abbas’s journey through the Islamic world following the events of September 11, 2001. Spanning seven years, this project covers sixteen countries, including Iran, Iraq, Lebanon, and Afghanistan. Abbas’s photographs and diary excerpts provide a candid look into the social and political landscapes post-9/11. This book is particularly notable for its ability to capture the undercurrents of global disturbances and the moments of resilience and humanity amid conflict. Practicing photographers will find inspiration in Abbas’s method of capturing “the suspended moment,” a technique that freezes significant gestures and actions, making them emblematic of broader issues.
“Gods I’ve Seen: Travels Among Hindus” is a rich visual exploration of Hinduism across India, Nepal, Sri Lanka, and Bali. Over three years, Abbas delves into the mystical world of Hindu beliefs, rituals, and daily life. This book stands out for its inclusion of both black-and-white and color photographs, showcasing Abbas’s versatility and adaptability to different cultural contexts. For photographers, this book is a treasure trove of insights into capturing the essence of religious and cultural practices. Abbas’s ability to portray the spiritual and ritualistic elements of Hinduism through his lens offers valuable lessons in photographing religious subjects with sensitivity and respect.
In “Faces of Christianity: A Photographic Journey,” Abbas explores Christian communities worldwide, from Cuba to Jerusalem, Lourdes to Mali, and the United States to Russia. This book provides a visual tour of what it means to be a Christian at the dawn of a new millennium. Abbas’s images blend thoughtful observations with dramatic black-and-white photography, making this book a compelling resource for understanding the diversity and unity within Christianity. Photographers will appreciate Abbas’s approach to documenting religious practices, political contexts, and spiritual experiences, offering a model for capturing the multifaceted nature of faith.
Quotes
• “War does not limit itself to boom-boom, to the battle itself. Wars are very, very complex phenomenons, because they have a source, and it takes a while to come up, then it happens, and there are consequences. I’m more interested in the why and the afterwards of the wars.”
• “My photography is a reflection, which comes to life in action and leads to meditation. Spontaneity – the suspended moment – intervenes during action, in the viewfinder.”
• “They say ‘courage’ — O.K., you have to be courageous. But for me, courage is a lack of imagination. You cannot imagine that it’s going to happen to you, therefore you go to the battle.”
• “The choice was to think of oneself either as a photojournalist or an artist. It wasn’t out of humility that I called myself a photojournalist, but arrogance. I thought photojournalism was superior.”
• “I ask questions, I don’t leave answers. My readers should look for their answers. I give them the evidence, I hope.”
Legacy and Influence
Abbas Attar left an indelible mark on the field of documentary photography. His work not only chronicled significant historical events but also provided deep insights into the human experience. His approach to photography as a form of storytelling has influenced many contemporary photographers who seek to go beyond mere documentation to tell compelling stories.
Photographers like James Nachtwey and Don McCullin, known for their work in conflict zones, share a similar commitment to capturing the human side of war and societal upheaval. Their images, like those of Abbas, compel viewers to confront the realities of the world and reflect on the broader implications of these events.
Abbas’s work continues to be celebrated and studied for its artistic and journalistic excellence. His legacy lives on through his extensive body of work and the countless photographers he has inspired.
Thomas Hoepker
“A photo can be more than just a picture. It can be a piece of history.”
Thomas Hoepker (Instagram) is a name synonymous with compelling and insightful documentary photography. Born in Munich, Germany, in 1936, Hoepker has carved a niche for himself with his striking and often poignant images that capture the essence of human experiences. As a celebrated member of Magnum Photos, his work spans decades and continents, documenting everything from the grandeur of the Olympic Games to the harrowing aftermath of 9/11.
Early Life and Career
Hoepker’s journey into photography began at an early age. Fascinated by images, he started experimenting with photography as a teenager, initially using a plate camera and later transitioning to a 35mm Akarette camera. His formal education in art history and archaeology provided a solid foundation, enriching his understanding of visual storytelling.
In the early 1960s, Hoepker worked for Münchner Illustrierte and Kristall magazines, traveling extensively and honing his skills in reportage photography. His big break came in 1964 when he joined Stern magazine as a photo reporter. This role allowed him to travel the world and cover significant events, bringing his unique perspective to a broader audience.
Photographic Style and Techniques
Hoepker’s photographic style is marked by a blend of meticulous composition and an acute sensitivity to the human condition. His images are not just visual records but are imbued with narratives that speak to the observer on a deeper level. He is adept at using color to enhance the emotional impact of his photos, a technique that sets him apart from many of his contemporaries.
Techniques:
• Use of Color: Hoepker’s transition to color photography in the 1970s marked a significant evolution in his work. His ability to use color to convey mood and context adds a layer of complexity to his images.
• Composition: He employs strong compositional techniques, often using leading lines, framing, and the rule of thirds to create visually compelling photographs.
• Human Element: His focus on capturing candid human expressions and moments adds authenticity and emotional depth to his work.
Career Highlights
Throughout his career, Thomas Hoepker has achieved numerous milestones that highlight his influence and contribution to documentary photography.
• Muhammad Ali Series: Hoepker’s images of Muhammad Ali, captured over several decades, are some of his most iconic works. These photographs chronicle the boxer’s career and personal life, offering a nuanced portrayal of the sports legend.
• 9/11 Documentation: His haunting images of the September 11 attacks in New York City are widely recognized. These photos not only document the event but also reflect the emotional and social impact of the tragedy.
• Magnum Photos: Hoepker’s association with Magnum Photos began in 1964. He served as the president of the prestigious agency from 2003 to 2006, influencing the direction and ethos of the organization.
Photography Gear
Hoepker’s choice of gear has evolved over the years, reflecting technological advancements and his own changing needs as a photographer.
Cameras:
• Leica M Series: Known for their precision and durability, Leica cameras have been a staple in Hoepker’s kit. The Leica M series, particularly, is favored for its compact size and exceptional lens quality, making it ideal for street and documentary photography.
• Canon AE-1: This 35mm SLR camera, popular in the 1970s and 80s, is renowned for its reliability and ease of use, which suited Hoepker’s need for flexibility in various shooting conditions.
Lenses:
• 50mm f/1.4: A versatile lens that provides a natural field of view, making it perfect for portraits and general photography.
• 35mm f/2: Ideal for wide-angle shots, this lens is great for capturing expansive scenes without distorting the subjects.
Photography Books
“New York: Revised Edition” - New York: Revised Edition by Thomas Hoepker, is an expansive visual documentation of New York City from the early 1960s to the present. Hoepker, a legendary photojournalist and former president of Magnum Photos, captures the evolving spirit of the city through its vibrant streets and diverse inhabitants. This book is invaluable for practicing photographers, offering insights into urban photography, the use of natural light in dynamic environments, and the importance of capturing the essence of a city’s character. The images reflect the complex moods of New York, making it a rich source of inspiration and technical guidance for photographers aiming to master street photography.
“Thomas Hoepker - Big Champ” - Thomas Hoepker - Big Champ, presents an intimate portrait of Muhammad Ali through the lens of Thomas Hoepker. This book goes beyond Ali’s public persona, showcasing lesser-known and previously unpublished photographs that reveal private moments and off-ring encounters. For photographers, this collection is a masterclass in portraiture and the documentation of a cultural icon. Hoepker’s ability to capture the essence of Ali’s personality, even in candid moments, provides valuable lessons on timing, composition, and the subtle art of storytelling through images.
“Thomas Hoepker Photographien 1955-2005” - Thomas Hoepker Photographien 1955-2005, is a comprehensive retrospective of Hoepker’s work spanning five decades. This German edition showcases a wide array of his photographic achievements, from early black-and-white images to his later color works. Practicing photographers will find this book a treasure trove of technical expertise and artistic inspiration. Hoepker’s evolution in style and technique is meticulously documented, providing insights into his approach to composition, use of light, and adaptation to different photographic technologies over the years.
“Thomas Hoepker - Strange Encounters” - Thomas Hoepker - Strange Encounters, compiles a selection of Hoepker’s more whimsical and unexpected images taken throughout his career. This book highlights his keen eye for the absurd and humorous moments in everyday life, capturing fleeting scenes that often go unnoticed. For photographers, “Strange Encounters” emphasizes the importance of spontaneity and the ability to see beyond the ordinary. It teaches the value of observation, patience, and the readiness to capture the serendipitous moments that add depth and humor to the human experience. Each photo is accompanied by informative captions, offering context and insights into Hoepker’s thought process and technique.
Quotes
“A photo can be more than just a picture. It can be a piece of history.”
“The challenge is to capture the essence of the moment without disturbing it.”
“Color adds a layer of reality that black and white cannot convey.”
“A good photograph is one that communicates a fact, touches the heart, and leaves the viewer a changed person for having seen it.”
“Documentary photography is about bearing witness to the world.”
Legacy and Influence
Thomas Hoepker’s impact on documentary photography is immense. His ability to blend art and journalism has influenced countless photographers and solidified his place in the pantheon of great photographers. His work not only provides a visual history of the last half-century but also challenges viewers to engage with the world more deeply.
Similar style and approach can be seen in the works of contemporary photographers like Sebastião Salgado, who also uses powerful imagery to address social issues, and Steve McCurry, known for his vibrant color photography and compelling portraits.
Conclusion
Thomas Hoepker’s career is a testament to the power of photography to document, influence, and inspire. For practicing photographers, his work serves as a powerful reminder of the importance of empathy, composition, and the ability to see beyond the surface. Whether capturing the face of a legendary boxer or the aftermath of a tragedy, Hoepker’s images resonate with truth and humanity, offering lessons that transcend time and place.
Rinko Kawauchi
“In order to exist, objects must be fragile.”
Rinko Kawauchi, a celebrated Japanese fine art photographer, has captured the attention of the global photography community with her ethereal and poetic images. Known for her ability to transform ordinary moments into extraordinary visual poetry, Kawauchi’s work resonates with themes of nature, fragility, and the passage of time.
Born in 1972 in Shiga, Japan, Rinko Kawauchi initially pursued graphic design and photography at Seian University of Art and Design. Her career began in the commercial photography sector during the 1990s. However, it was in 2001 that Kawauchi made a significant impact on the photography world with the simultaneous publication of three photobooks: Utatane, Hanabi, and Hanako . These works established her as a unique voice in contemporary photography, blending the mundane with the magical.
Photographic Style and Techniques
Kawauchi’s photographic style is often described as poetic and contemplative, influenced by the Japanese aesthetic principles of wabi-sabi, which finds beauty in imperfection and transience. Her images are characterized by soft, natural lighting and delicate color palettes, which imbue her work with a dreamlike quality.
Kawauchi’s technique involves capturing spontaneous moments that evoke deep emotional responses. She often pairs images to create visual dialogues that explore themes such as life and death, joy and sorrow, and the interconnectedness of all things. This approach is reminiscent of haiku, the traditional Japanese poetry form, which seeks to convey profound meanings through simplicity and brevity.
Career Highlights
One of Kawauchi’s early successes was the photobook Utatane, which delves into the state of mind between sleep and wakefulness. This book, along with her subsequent works, has been praised for its ability to capture the essence of everyday life with a sense of wonder and introspection .
Her series Ametsuchi (2013) is another notable project, documenting the ancient field-burning practices in Japan’s volcanic Kyushu region. The images from this series are larger in scale and more intense, reflecting the elemental nature of fire and its role in the cycle of life .
In addition to her photobooks, Kawauchi’s work has been featured in numerous exhibitions worldwide, including a mid-career retrospective at the Kunst Haus Wien in Vienna in 2015 . She has also received prestigious awards such as the Kimura Ihei Award and an Honorary Fellowship of the Royal Photographic Society.
Photography Gear
Cameras
• Mamiya 7: Known for its exceptional image quality and medium format, this camera allows Kawauchi to capture the fine details and soft tones that characterize her work.
• Canon EOS 5D: A versatile full-frame DSLR, which she uses for its reliability and the high resolution required for her large-scale prints.
Lenses
• Canon EF 50mm f/1.2L: Ideal for creating the shallow depth of field and bokeh effects that give her images their ethereal quality.
• Canon EF 24-70mm f/2.8L II USM: This versatile zoom lens allows for flexibility in framing and composition, crucial for capturing spontaneous moments.
Photography books
Rinko Kawauchi: Ametsuchi - "Ametsuchi" represents a significant shift in Rinko Kawauchi's work, moving from intimate, small-scale observations to grand, sweeping landscapes and cosmic imagery. The title, which means "heaven and earth," captures the essence of the book, as it explores the interconnectedness of the universe through a combination of celestial photography and earthly rituals. This book stands out for its use of a medium-format 4x5 camera, offering a new level of detail and depth. Designed by Hans Gremmen, the book features a unique origami binding that enhances its spiritual and philosophical themes. Practicing photographers will find inspiration in Kawauchi's ability to blend the macro and micro aspects of existence, encouraging a broader perspective in their own work.
Rinko Kawauchi: Illuminance - "Illuminance" is a hallmark of Kawauchi's career, praised for its poetic and imaginative approach to everyday scenes. The book’s expanded edition includes additional texts by renowned figures such as curator David Chandler and philosopher Masatake Shinohara, providing deeper insights into Kawauchi's vision. This ten-year anniversary edition reaffirms her influential role in contemporary photography. The book’s exquisite production and thoughtful sequencing of images highlight the interplay of light and shadow, making it a valuable resource for photographers interested in exploring the subtleties of natural illumination and the emotional resonance of mundane moments.
Rinko Kawauchi - Utatane - "Utatane," Kawauchi’s debut photo book, is a collection that transforms the ordinary into extraordinary visual poetry. The book's title refers to the state of dozing off, reflecting its theme of capturing transient, dreamlike moments in everyday life. With images like carps, clouds, a tire, and even a spoonful of tapioca, Kawauchi emphasizes the beauty and patterns found in mundane objects. This thoughtful contemplation of mortality and existence won awards for its graceful and poignant portrayal of life's fleeting nature. Practicing photographers can draw inspiration from Kawauchi's meticulous attention to light and her ability to find profound meaning in simple, everyday details.
Rinko Kawauchi - Hanabi - "Hanabi" translates to "fireworks," and this book captures the ephemeral beauty and explosive energy of fireworks displays. Through her lens, Kawauchi conveys not just the visual spectacle, but the emotional and sensory experiences associated with these transient moments of celebration. The book's unique focus on a single, fleeting subject offers photographers a masterclass in capturing the essence of temporality and the challenge of freezing a moment in time. "Hanabi" serves as a reminder of the power of photography to preserve and elevate the ephemeral, making it an essential read for those looking to enhance their ability to capture fleeting beauty.
Quotes
“I need many elements to come together in a series to create a mood, not just portraits—including seemingly unrelated subjects, such as landscapes and tiny details.”
“Looking at these pigeons, I thought of them as symbols of so many things, especially the dualism of our world. White and black, good and evil, light and shadow, man and woman, beginning and end.”
“The world, as she sees it, is made up of tangible entities that are there to be touched and tasted.”
“In order to exist, objects must be fragile.”
“Even light has substance sometimes, as if it were a drifting dust or yellow overlay in the case of the beams of a car’s headlights.”
Legacy and Influence
Rinko Kawauchi’s influence extends beyond the realm of Japanese photography. Her ability to find profound beauty in the mundane has resonated with photographers worldwide, akin to the work of Sally Mann, who also captures the ephemeral nature of life with a poetic lens . Kawauchi’s work continues to inspire a sense of mindfulness and appreciation for the delicate moments that compose our daily lives.
Her legacy is cemented not only through her stunning images but also through her ability to evoke deep emotional responses and create a universal language of visual poetry that transcends cultural and geographical boundaries.
James VanDerZee
“I wanted to see what I could do, just for the sheer fun of it.”
Photography has the remarkable power to capture moments in time, serving as windows into cultures and communities. Among the pioneers who harnessed this power is James VanDerZee, a groundbreaking documentary photographer known for immortalizing the Harlem Renaissance. His work stands as a testament to the elegance, pride, and resilience of the African American community during a pivotal era in American history.
Early Life and Career
James Augustus VanDerZee was born on June 29, 1886, in Lenox, Massachusetts. His love for photography blossomed early, and he received his first camera at age 14. His family moved to Harlem in 1906, where he initially worked as a pianist and later as a waiter. His passion for photography never waned, and by 1916, he had opened his own studio in Harlem.
Photographic Style and Techniques
VanDerZee's photographic style is characterized by its refined composition and meticulous attention to detail. He often used retouching and overlays, enhancing the elegance of his subjects. His techniques highlighted the dignity and beauty of the African American community, countering stereotypes and offering a contrasting narrative to mainstream media.
Career Highlights
VanDerZee's career flourished during the 1920s and 1930s, capturing iconic portraits of Harlem residents, celebrities, and key figures of the Harlem Renaissance. His subjects included luminaries like Marcus Garvey and Bill "Bojangles" Robinson. His works featured a blend of artistry and social commentary, earning him a reputation as one of the most significant African American photographers of his time.
Photography Gear
Hasselblad 500C - VanDerZee was known to have used medium format cameras like the Hasselblad 500C, which provided exceptional image quality. This camera is perfect for portrait photography due to its large negative size, offering rich details and a characteristic square format.
Graflex Speed Graphic - The Graflex Speed Graphic was another camera VanDerZee utilized, particularly effective for its adaptability and large format. This camera was ideal for capturing the detail and clarity characteristic of VanDerZee's work, especially when documenting special events or producing large prints.
Rolleiflex 2.8 - The Rolleiflex 2.8, a twin-lens reflex camera, offered VanDerZee versatility and the ability to shoot from chest height, creating a unique perspective. This camera was beneficial for capturing candid moments and intricate studio portraits, typical of his style.
Photography Books
"VanDerZee: Photographer, 1886-1983" -"VanDerZee: Photographer, 1886-1983" provides a comprehensive look at the work of James VanDerZee, one of the foremost American photographers of the 20th century. This book features a stunning collection of over 200 photographs from his career, capturing the essence of Harlem between the wars. The unique aspect of this book lies in its vivid portrayal of the Harlem Renaissance through VanDerZee's lens, making it an invaluable resource for photographers interested in documentary photography, cultural history, and portraiture. The book offers insights into VanDerZee's techniques and his ability to depict the elegance and dignity of his subjects, providing inspiration for photographers seeking to understand how to capture the spirit of a community.
"The James VanDerZee Studio" - "The James VanDerZee Studio" offers an intimate look at the photographer's studio work from 1916 to 1969, highlighting his portrait photography in Harlem. This book stands out for its in-depth exploration of VanDerZee's studio environment and his creative process. It includes insightful essays by Colin Westerbeck and Dawoud Bey, making it a valuable resource for photographers interested in studio portraiture and historical photography. The book showcases VanDerZee's imaginative approach to photography, including his use of elaborate backdrops and his ability to create complex group portraits, offering inspiration and techniques for photographers interested in capturing the essence of their subjects in a studio setting.
"The Harlem Book of the Dead" - "The Harlem Book of the Dead" is a haunting and beautiful exploration of funeral rites and photography in Harlem during the early 20th century. This book stands out for its unique combination of photographs, poems, and text, revealing a time when society cared deeply for both the living and the dead. The book highlights the pageantry of funerals and the high spiritual and temporal values of the community. For photographers, this book offers insights into the role of photography in mourning rituals and the importance of preserving cultural heritage, making it an inspirational resource for those interested in exploring the intersection of photography and social history.
Quotes
“I wanted to see what I could do, just for the sheer fun of it.”
“The biggest thing I wanted was to portray the strength and pride of my people.”
“Harlem was a great place for taking pictures. Everybody had a camera or wanted to have their picture taken.”
“I've always wanted to show the elegance and pride of the Black community.”
“A picture should be looked at—if it's really a picture—every time you see it, you should see more in it.”
Legacy and Influence
VanDerZee's legacy extends beyond his era, as his work continues to inspire photographers and historians. His unique portrayal of Harlem's golden era resonates with modern photographers like Gordon Parks and Roy DeCarava, who similarly focused on capturing the essence of African American life . VanDerZee's contribution to photography highlights the importance of visual storytelling in cultural preservation and identity.
In essence, James VanDerZee remains a cornerstone of African American photography, celebrated for his artistic vision and commitment to documenting his community's vibrant culture. His work serves as an enduring inspiration, demonstrating the profound impact a photographer can have on capturing and shaping the narrative of their time.
Ave Pildas
"I'm happiest when I'm away from my studio, away from my house, and out with my camera.”
In the annals of street photography, few names resonate with the vibrancy and depth of Ave Pildas. His journey from the jazz-infused streets of the Midwest to the bustling energy of Hollywood Boulevard paints a portrait of a man whose lens has captured the evolving American landscape. This article delves into the life, style, and legacy of Ave Pildas, offering insights into his enduring impact on the world of photography.
Early Life and Career
Born in the heart of Cincinnati, Ohio, Pildas's early life was a far cry from the world of photography. Initially setting out to pursue architecture, a pivotal critique at the University of Cincinnati redirected his path towards design. However, it was during his tenure at Capitol Records as an Art Director that Pildas's passion for photography began to crystallize. His transition from designing album covers to capturing the essence of street life marked the beginning of an illustrious career behind the lens.
Photographic Style and Techniques
Pildas's photographic style is a reflection of his architectural beginnings - structured, yet brimming with spontaneity. His images, characterized by sharp contrasts and dynamic compositions, capture the pulse of urban life. His technique of pre-focusing and waiting for the perfect moment mirrors the patience and precision of a seasoned architect. Pildas's choice of black and white film adds a timeless quality to his snapshots of fleeting moments.
Career Highlights
Pildas's career is dotted with highlights that span across decades and continents. His intimate jazz portraits provide a window into the soulful depths of the genre, while his architectural and street photography showcases the evolving American urban landscape. Notable exhibitions and accolades aside, Pildas's role as a Professor Emeritus at Otis College of Art and Design underscores his commitment to shaping the next generation of photographers.
Photography Gear Used by Ave Pildas
Leica M6: Renowned for its precision and versatility, the Leica M6 was a staple in Pildas's gear. Its unobtrusive design made it perfect for candid street photography, allowing Pildas to blend into the background and capture authentic moments.
Tri-X Film: Known for its excellent grain structure and ability to perform in varied lighting conditions, Tri-X film was Pildas's go-to choice. Its high-speed properties were ideal for the dimly lit jazz clubs and bustling streets that often served as his subjects.
Photography books
"Movie Palaces": This book offers a captivating journey through the golden age of American movie theaters, showcasing Ave Pildas's brilliant color photographs of these cinematic temples. Pildas captures the essence of the spectacle and glamour that defined these architectural marvels, focusing on details like marquees, box offices, lobbies, and the dazzling terrazzo floors. "Movie Palaces" serves as a valuable resource for practicing photographers, offering inspiration from the meticulous attention to detail and the use of color to capture the grandeur of these vanishing treasures. The unique perspective and framing provide a deep understanding of how to photograph architectural interiors and exteriors, making it a treasure trove of insights and techniques.
"Ave Pildas: Bijou": This special limited edition book is not only a collection of Pildas's photographs but an artifact in itself, limited to 500 hand-numbered copies and including an original print signed by Pildas. The book focuses on the smaller details that might go unnoticed, teaching photographers the value of looking beyond the obvious and finding beauty in the minutiae. Through the 11 duotone plates, Pildas demonstrates his prowess in capturing the essence of his subjects, making "Ave Pildas: Bijou" a source of inspiration and a lesson in the art of subtlety and precision in photographic storytelling.
"Star Struck": In this first monograph in over four decades, Ave Pildas takes readers to the Hollywood Boulevard of the 1970s, a time when the area had more of a neighborhood feel, filled with a vibrant and diverse cast of characters. Through Pildas's lens, every individual is a star, capturing the essence of Hollywood's Walk of Fame with a sense of generosity and warmth. The book offers invaluable insights into capturing the human element in urban environments, highlighting techniques for engaging with subjects and drawing out their unique stories. "Star Struck" provides a deep dive into the approach of making everyone feel like a main character, offering inspiration and techniques for photographers interested in portrait and street photography.
Quotes
"I mean I pretty much compose every picture, even though many of them are taken quite quickly."
“I think that sometimes if I want to make a political statement or if I have a feeling about a certain issue... one picture does not tell the whole story."
"I'm happiest when I'm away from my studio, away from my house, and out with my camera.”
"Keep taking photos.”
"Laughing at oneself is something everyone should do."
Legacy and Influence
Ave Pildas's legacy extends beyond his photographic collections and exhibitions. His profound influence on the realms of street and jazz photography remains palpable. While Pildas carved a unique niche for himself, the echoes of his style can be seen in the works of other great photographers like Henri Cartier-Bresson and Robert Frank. These photographers, each with their distinct perspectives, share Pildas's acute sense of timing and profound understanding of the human condition.
Pildas's work continues to inspire a new generation of photographers to explore the streets with a keen eye and a compassionate heart. His dedication to education and mentorship has seeded the growth of countless artists who continue to push the boundaries of the medium. In Ave Pildas's photographs, we find not just images, but stories, emotions, and a timeless window into the human experience. His work reminds us that beauty, complexity, and intrigue can be found in the most ordinary of settings, waiting just to be captured.
Todd Hido
“I shoot like a documentarian, but I print like a painter.”
In the expansive domain of photography, few have managed to encapsulate the essence of the American landscape and suburban life with the depth and intensity of Todd Hido. Known for his poignant and evocative images, Hido's work transcends mere visual aesthetics, inviting viewers into a world of narrative-driven exploration.
Early Life and Career
Born in Kent, Ohio, in 1968, Todd Hido's journey into photography began at an early age. His fascination with images was nurtured through a Bachelor of Fine Arts from Tufts University, followed by a Master of Fine Arts from the California College of Arts and Crafts in 1996. It was during these formative years that Hido honed his craft, developing a style that would soon become unmistakable.
Photographic Style and Techniques
Hido's photographic oeuvre is characterized by its cinematic quality and a haunting sense of isolation. He is best known for his night shots and interior series, where dimly lit homes and desolate landscapes serve as the backdrop for his narrative. His use of natural light and color palettes adds a layer of emotional depth, creating a palpable tension between the seen and the unseen.
Long Exposure: Hido often employs long exposure techniques to capture the subtle nuances of light and shadow in his night photographs. This method allows him to imbue his scenes with a surreal, almost dream-like quality that is both unsettling and captivating.
Natural Light: Emphasizing the mood and atmosphere, Hido's adept use of natural light—whether the diffused light of dawn or the gloomy overcast of winter days—plays a crucial role in setting the tone of his images.
Career Highlights
Throughout his career, Todd Hido has achieved numerous accolades and exhibited in prestigious galleries worldwide. His book, "House Hunting" (2001), received widespread acclaim for its compelling portrayal of American homes under the cloak of darkness. Another notable project, "Roaming," explores the theme of landscapes devoid of human presence, offering a reflective gaze into the natural world.
Photography Gear
Todd Hido's choice of gear plays a pivotal role in achieving his distinctive style. While Hido has been known to use a variety of equipment over his career, certain tools stand out for their contribution to his work:
Medium Format Cameras: Hido often opts for medium format cameras for their superior image quality and depth. The detailed gradations of light and shadow captured by these cameras are essential for his night shots and intricate interior photographs.
Digital SLRs: For more dynamic and spontaneous shots, Hido utilizes digital SLRs. These cameras offer the flexibility and speed needed to capture fleeting moments of light and shadow, crucial for his evocative landscapes.
PHOTOGRAPHY BOOKS
"House Hunting" - First published in 2000, "House Hunting" presents Todd Hido's exploration of suburbia through a lens of solitude and mystery. This iconic monograph features large color photographs that navigate the viewer through the interiors of repossessed homes and the exteriors of suburban houses under the night's cloak, illuminated only by the soft glow of television screens and unseen bulbs. The beauty Hido extracts from these seemingly banal scenes transforms them into a canvas of melancholy and introspection. The newly remastered edition, marking the 20th anniversary of this seminal work, enhances the original images with advanced color rendition techniques. This edition promises an even deeper appreciation of Hido's ability to find beauty in the overlooked, making "House Hunting" a timeless resource for photographers seeking to evoke emotion through the ordinary.
"The End Sends Advance Warning" - This stunning monograph is a continuation and expansion of Hido's exploration into mysterious suburban scenes, desolate landscapes, and evocative cinematic portraits. "The End Sends Advance Warning" sees Hido venturing to geographically diverse and meteorologically opposite locations—from the Hawaiian Islands to the shores of the Bering Sea and Nordic fjords above the Arctic Circle. Despite the vast geographic spread, Hido's photographs maintain a familiar yet unknown quality, welcoming yet unsettling. This book picks up where his previous title "Bright Black World" left off, offering over 80 new and previously unpublished photographs. Printed on heavyweight art paper and bound in offset printed linen, the book is an art piece in itself, featuring 9 tipped-in photographs on Kasadaka art paper and additional booklets. It's a testament to Hido's continued quest for beauty and hope in the most unexpected places, making it an essential asset for photographers looking for inspiration in the power of geographic and emotional exploration.
"Todd Hido on Landscapes, Interiors, and the Nude: The Photography Workshop Series" - In this essential installment of The Photography Workshop Series by Aperture Foundation, Todd Hido articulates his approach to the genres of landscape, interior, and nude photography. This book is crafted to emulate the workshop experience, providing readers with a unique insight into Hido's creative process. Through personal narratives and selected photographs, Hido explores the significance of drawing from one's memory and experience to create images that resonate with intimacy and authenticity. He delves into the technical aspects of photography, such as the use of light, texture, and detail, and discusses the narrative power of sequencing images. This volume is an invaluable guide for photographers at all levels, offering a glimpse into the core thinking and creative practices of one of the world's top photographers. It's introduced by a well-known student of Hido, ensuring that readers gain a comprehensive understanding of his artistic journey and methodologies.
"Todd Hido: Intimate Distance: Twenty-Five Years of Photographs, A Chronological Album" -This mid-career survey presents a chronological exploration of Todd Hido's illustrious career, offering a deep dive into his photographic journey over twenty-five years. Known for his evocative images of landscapes, suburban housing, and his distinctive use of color, Hido's work is undeniably cinematic. David Campany provides an introduction, focusing on Hido's cinematic influences and the unique spectatorship his work elicits. The book's organization allows readers to see the overlaps and evolutions within Hido's series, presenting a comprehensive view of his development as an artist. Featuring short interviews with Hido on the creation of each of his monographs, "Intimate Distance" reveals the depth of Hido's practice and shows how his focus has shifted over time. From the external world to the internal, from surface observations to deep subconscious explorations, this book is a testament to Hido's profound influence on contemporary photography and offers invaluable insights for those seeking to understand the nuances of creating impactful photographic work.
Quotes
"I shoot like a documentarian, but I print like a painter."
"Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts."
"The unanswered question of a photograph can be as powerful as one that is answered."
"I am deeply attracted to the mysterious and to things that are off—however that's defined."
"There's a lot of beauty in ordinary things. Isn't that kind of the point?"
Legacy and Influence
Todd Hido's work has left an indelible mark on the field of photography. His unique ability to capture the essence of American life, with all its complexity and contradiction, continues to inspire and challenge viewers and photographers alike. While Hido's influence is wide-ranging, his approach shares a kinship with the introspective landscapes of Stephen Shore and the narrative depth of Gregory Crewdson, though Hido charts a distinct path through his singular vision and method.
In conclusion, Todd Hido stands as a testament to the power of photography to explore the boundaries of narrative, emotion, and aesthetics. His legacy not only encompasses his contributions to documentary and landscape photography but also serves as a beacon for those who seek to express the profound through the lens of the camera. As we continue to navigate the evolving landscape of photography, Hido's work reminds us of the enduring capacity of the medium to evoke, engage, and enlighten.
Bruce Davidson
"I'm a humanist; I see the little things that we all share together."
Bruce Davidson, a name that resonates deeply in the world of street photography, has long been recognized as a profound visual storyteller. His work, spanning several decades, encapsulates the essence of human conditions, social environments, and the unspoken narratives that unfold on the streets. For practicing photographers, Davidson's journey offers a wealth of inspiration and insight.
Early Life and Career
Born in 1933, Bruce Davidson's interest in photography began at a young age. His early adoption of the camera as a tool for exploration and expression was a precursor to a life dedicated to visual storytelling. Davidson attended Rochester Institute of Technology and Yale University, where he honed his skills. After military service, he worked at LIFE magazine and later became a member of Magnum Photos, following the footsteps of co-founder and street photography icon Henri Cartier-Bresson.
Photographic Style and Techniques
Davidson's photographic style is deeply humanistic. His approach is immersive, often spending years on a single project to capture the depth and breadth of his subjects. He has an eye for the subtleties of social interaction, the quiet moments of daily life, and the poignant realities that lie beneath the surface.
His work is characterized by:
Intimate Portraiture: Davidson’s close engagement with his subjects allows for a level of intimacy and emotional depth.
Long-term Commitment: He often dedicates years to a single project, building a narrative that is both deep and comprehensive.
Black and White Imagery: His use of black and white film adds a timeless quality to his photographs, emphasizing texture and emotion over color.
Career Highlights
Some of Davidson's most notable projects include:
East 100th Street: An in-depth portrayal of a New York neighborhood, capturing the essence of community life in the 1960s.
Brooklyn Gang: A raw and revealing look at the lives of a teenage gang in Brooklyn, showcasing Davidson’s ability to connect with diverse groups.
Time of Change: A powerful documentation of the civil rights movement in America, portraying both the struggle and the hope of that era.
Photography Gear
Davidson's choice of gear has always been aimed at facilitating his immersive approach:
Leica and Nikon Cameras: His use of Leica rangefinders, known for their discreetness and speed, allowed him to capture candid moments effortlessly. Nikon SLRs were used for their reliability and versatility in various shooting conditions.
Fixed Lenses: Davidson often preferred fixed focal length lenses, particularly 35mm and 50mm, for their natural field of view and ability to capture scenes as seen by the human eye.
Photography books
"Brooklyn Gang: Summer 1959": This book captures the essence of Bruce Davidson's early work, documenting the lives of a teenage gang in Brooklyn during the summer of 1959. The images in this collection are raw and intimate, offering a glimpse into the lives of these young individuals. For practicing photographers, this book is a prime example of how to immerse oneself in a subject, capturing the essence of a time and place through a deeply personal lens.
"Bruce Davidson: The Way Back": Spanning over three decades, this book is a comprehensive retrospective of Davidson's career. It includes his early assignments, as well as seminal works such as "Time of Change" and "East 100th Street." What makes this volume particularly valuable is its focus on previously unpublished photographs, offering new insights into Davidson's approach to documentary photography. The book underlines Davidson's unique ability to capture the depth of human experience, making it a significant resource for understanding the power of long-term projects.
"Bruce Davidson: In Color": This volume presents a different facet of Davidson's work, showcasing his lesser-known color photography. It covers nearly 60 years of work, including assignments for major magazines and personal projects. This book is particularly inspiring for those interested in the versatility of photographic expression, demonstrating how a photographer known for black and white imagery can also master the use of color.
"Bruce Davidson: Central Park": In this work, Davidson turns his lens towards Central Park, offering a varied and metaphorical exploration of this urban oasis. His approach to photographing the park’s wildlife and human visitors showcases his adaptability and creative vision. The book serves as a guide on how to find and photograph the extraordinary within the ordinary, making it a valuable resource for photographers looking to explore urban landscapes.
"Bruce Davidson: Subway": This influential book, first published in 1986, is a hallmark of Davidson's work. It's not just a documentation of the New York City subway but a study in contrasts, color, and humanity. Davidson’s use of flash photography in the subway's dim environment creates a unique aesthetic that highlights the diversity and intensity of the city's underground life. This book is particularly instructive for photographers interested in capturing public spaces and their inhabitants in a transformative light.
Quotes
"I'm a humanist; I see the little things that we all share together."
"The purpose of my photography is to explore the life I examine, not to prove a point."
"Photography can be a mirror and reflect life as it is, but I also think it is possible to walk, like Alice through a looking-glass, and find another kind of world with the camera."
"I start with no preconceived idea – discovery excites me to focus on a subject."
"A good photograph contains elements of magic and surprise."
Legacy and Influence
Bruce Davidson’s legacy in street photography is immeasurable. His humanistic approach and commitment to long-term projects have influenced countless photographers. His methodology echoes in the works of Mary Ellen Mark and Steve McCurry, both known for their deep commitment to storytelling and capturing the essence of human experiences.
Davidson's work transcends mere documentation; it is a compassionate exploration of humanity. He challenges us to look deeper, to understand the stories that unfold around us every day. For today's photographers, Davidson's work is a masterclass in empathy, patience, and the relentless pursuit of the human connection.
André Kertész
"Seeing is not enough; you have to feel what you photograph."
Andre Kertesz, a name synonymous with innovation and poetry in the realm of photography, remains an enduring figure in the history of visual art. His work, characterized by its lyricism and keen observation, helped to define the course of street and documentary photography throughout the 20th century.
Early Life and Career
Born in 1894 in Budapest, Hungary, Kertesz discovered his passion for photography at a young age. However, his journey into the world of photography was not straightforward. Initially pursuing a career in stock exchange to appease his family, he continued to nurture his love for photography, which eventually led him to Paris in 1925. This move marked the beginning of what would be a prolific and influential career.
In Paris, Kertesz found himself amidst the burgeoning art scene, rubbing shoulders with the likes of Piet Mondrian and Marc Chagall. His early work during this period laid the groundwork for his unique style, combining the candidness of street photography with a distinctly artistic eye.
Photographic Style and Techniques
Kertesz's photography is notable for its simplicity, compositional genius, and its ability to capture the poetry of everyday life. He had a unique talent for finding the extraordinary in the ordinary, a trait that echoed the work of Henri Cartier-Bresson, another master of the decisive moment.
His approach to composition was intuitive yet masterful, often incorporating reflections, shadows, and unique vantage points to create images that transcended their mundane subjects. Kertesz's work is characterized by a deep sense of humanity and a subtle playfulness, capturing the essence of human experience.
Career Highlights
Among Kertesz's most notable works are his early photographs of Paris, where he captured the life of the city with a fresh perspective. His series on Washington Square in New York is another highlight, showcasing his ability to adapt his unique vision to a new environment.
Kertesz's career was not without its challenges. During his time in America, he faced a lack of recognition and struggled with creative constraints imposed by commercial work. However, the late 1960s and 1970s brought a resurgence of interest in his work, leading to renewed acclaim and several exhibitions.
Photography Gear
Kertesz was known for his use of small, handheld cameras, which allowed him the freedom to explore and capture spontaneously. He predominantly used a Leica camera with a 35mm lens, appreciating its compactness and unobtrusiveness. This choice of equipment was crucial in his street photography, enabling him to blend into his surroundings and capture candid moments with ease.
Published Works
"Andre Kertesz: His Life and Work": This comprehensive retrospective presents a complete overview of Kertész's career, from his beginnings in Hungary to his later explorations with "distortions." The book features essays by notable experts like Laszlo Beke, Dominique Baque, and Jane Livingston. It's an insightful resource, offering an in-depth look at Kertész's evolution as a photographer. The book’s detailed analysis and rich imagery make it invaluable for photographers interested in the progression of a photographic career over time.
"Andre Kertesz: Sixty Years of Photography": This volume is a testament to Kertész's long-standing impact on the world of photography. It spans six decades, showcasing his diverse subjects ranging from cityscapes and landscapes to still lifes. This book serves as an inspiration to photographers, emphasizing the importance of versatility and the ability to find beauty in a variety of scenes.
"Andre Kertesz: A Lifetime of Perception": This book offers a curated selection of Kertész’s photographs, accompanied by an analysis of his seventy-year photographic journey. It's particularly valuable for its insights into how Kertész perceived and captured the world around him. For practicing photographers, this book emphasizes the significance of personal vision and perception in photography.
"On Reading": This unique and playful collection, first published in 1971, features photographs taken between 1920 and 1970, capturing people engrossed in reading across the globe. The new duotone reproductions enhance the classic quality of Kertész’s work. This book is not just about photography; it's about capturing moments of human engagement and the profound, universal joy of reading. It's an excellent source of inspiration for photographers interested in the storytelling aspects of their craft.
Quotes
"The camera is my tool. Through it, I give a reason to everything around me." — Andre Kertesz
"Seeing is not enough; you have to feel what you photograph." — Andre Kertesz
"I do not document anything, I give an interpretation." — Andre Kertesz
"I am an amateur and I intend to stay that way for the rest of my life." — Andre Kertesz
"I write with light." — Andre Kertesz
Legacy and Influence
Andre Kertesz's influence on the world of photography is profound and far-reaching. His work inspired generations of photographers to look beyond the obvious, to find beauty and significance in the everyday. His influence can be seen in the works of many photographers, including Robert Capa, a fellow Hungarian, who also demonstrated a profound ability to capture human moments with compassion and dignity.
Kertesz's legacy lies not just in the images he created but in his approach to photography. He taught us to see the world with fresh eyes, to appreciate the subtle beauty in the mundane, and to understand the power of simplicity and composition. His work remains a touchstone for photographers around the world, a reminder of the poetic potential that lies within the everyday.
Anders Petersen
"To be close to life, you have to be close to yourself."
Within the extensive and multifaceted landscape of documentary photography, Anders Petersen stands as a titan whose work defies categorization. The Swedish photographer has amassed a lifetime of images that plunge into the depths of human emotion and social complexity.
Early Life and Career
Anders Petersen was born in 1944 in Solna, Sweden. Early on, he gained an interest in photography but took an unconventional route, opting to teach himself the art rather than pursue formal education. His big break came with the project "Café Lehmitz," in which he documented the lives of the patrons of a café in Hamburg’s red-light district. The series debuted in the early 1970s and quickly garnered him international attention.
Photographic Style and Techniques
Petersen's unique style lies in his ability to capture the unvarnished truth of human existence. His photographs often veer toward the surreal, capturing moments that transcend the ordinary while revealing deeply intimate facets of his subjects. Typically shot in black and white, his images are raw, emotive, and startlingly honest.
To achieve this, Petersen often uses natural light, allowing the ambient conditions to dictate the mood of his shots. His close-up compositions make for stark portraits that feel both invasive and vulnerable, capturing a wide range of human experiences from joy to despair. His willingness to immerse himself into the lives of his subjects separates him from many of his contemporaries, granting his images a deeply personal aura.
Career Highlights
While "Café Lehmitz" is often considered the cornerstone of his career, Petersen's oeuvre extends far beyond that seminal work. His photo books include "City Diary," "From Back Home," and "SoHo," each contributing to his reputation as a master storyteller. He has also been awarded several prestigious prizes, including the Leica Oskar Barnack Award and the Special Book Award from Rencontres d'Arles. His exhibitions have graced many international venues, including the Moderna Museet in Stockholm and the Museum of Modern Art in New York.
Photography Gear
When it comes to equipment, Petersen prefers to keep it simple. Throughout his career, he has often relied on the Leica M series—specifically, the M2 and M4 models. These rangefinder cameras are compact and unobtrusive, perfect for capturing candid moments without alarming subjects. Petersen pairs these bodies with a 28mm or 35mm lens, which allows for a wide field of view without distorting the subject, aiding in his intimately framed compositions.
PHOTOGRAPHY BOOKS
"Anders Petersen: Stockholm" encapsulates a four-year journey where the photographer dives deep into the urban and emotional landscape of Stockholm. What sets this work apart is its focus on everyday life as well as moments of celebration, capturing the city's pulse through black-and-white imagery. The sheer breadth of subjects—from snowy streets to operating theatres—makes it invaluable for photographers interested in urban photography. Notably, this is Petersen's first detailed portrait of Stockholm, despite his extensive career photographing various other settings like psychiatric hospitals and prisons.
In a similar vein but more comprehensive is "Anders Petersen", which serves as the largest monograph of Petersen's work to date. This book spans his career, showcasing over 250 of his most iconic photos. While exhibitions may be transient, this book argues that photobooks have a lasting dignity, suggesting that photographers will find the collected work a continuous source of inspiration. Petersen's sentiment on the longevity and impact of photobooks adds a layer of depth, making it a must-read for those interested in the craft of long-form photo storytelling.
Taking a detour from cityscapes, "Café Lehmitz" zooms in on an iconic bar in Hamburg's red-light district. This is a cornerstone in Petersen's career, and the new edition includes a foreword by musician and actor Tom Waits. Petersen captures the grit and character of the bar's patrons in stark black and white, marking it as a classic in photojournalism. The work has been so impactful that it even influenced Tom Waits' legendary album "Rain Dogs." This book serves as a lesson in intimate, analog photojournalism, teaching how to engage subjects authentically.
"Anders Petersen: Rome" offers an intimate look at the eternal city, a subject revisited by Petersen several times since the mid-1980s. What makes this book particularly unique is its personal touch, opening with portraits of Petersen’s lover, Julia. This human element serves as a pathway into the broader cityscape. The book is not just a geographical exploration but also a temporal one; Petersen compares his recent photographs with those taken seven years earlier, inviting photographers to consider the impact of time on their work.
All these volumes offer different facets of Petersen's artistic journey, providing aspiring photographers ample room for study—be it in mastering the nuances of black-and-white photography, learning to capture the essence of urban spaces, or understanding the narrative power of a well-curated photobook.
Quotes
"To be close to life, you have to be close to yourself." — Anders Petersen
"For me, the photograph is a statement, a punctuation in the poem called 'Life.'" — Anders Petersen
"The distance to the subject is often the same as the distance to myself." — Anders Petersen
"Emotion is the ultimate form of truth." — Anders Petersen
"Photography is a journey into the complexities of the human condition." — Anders Petersen
Legacy and Influence
To talk about Petersen's influence is to discuss the very fabric of modern documentary photography. He has encouraged countless photographers to explore the fringes of society and to take an unflinchingly intimate look at the human condition. While many photographers venture into the realm of intimate documentary work, Petersen's influence remains subtle yet profound.
For those looking for an inspiration in documentary photography. Diane Arbus' work is notably similar in its focus on marginalized individuals and societal outliers. On another yet equally captivating front, the war photography of James Nachtwey offers a kind of visceral intimacy that mirrors the emotional depth of Petersen's work, although their subject matter may differ.
Anders Petersen's lifelong endeavor to capture the soul of humanity has made him a living legend in the world of documentary photography. Through his work, we are offered a raw look at the complex interplay of human emotions and the beauty that lies within the chaos of everyday life. And that, undoubtedly, will be his lasting legacy.
Fred Herzog
"I have always felt that you should do the kind of work that is close to your heart."
Fred Herzog stands as a unique figure in the annals of street photography. Known for his exceptional use of color and uncanny ability to capture the spirit of mid-twentieth century urban life, Herzog’s work continues to captivate audiences with its rich and vivid depictions of everyday scenes.
Early Life and Career
Fred Herzog was born in Germany in 1930, but it was in Vancouver, Canada, where he eventually settled after WWII, that he found his photographic voice. Working as a medical photographer by day, Herzog spent his free time roaming the streets of Vancouver, capturing scenes of urban life with an empathetic and observant eye.
His work, in essence, bridges the traditions of documentary photographers like Dorothea Lange and the urban aestheticism of figures such as Saul Leiter.
Photographic Style and Techniques
Herzog's style is typified by his pioneering use of color in a time when black-and-white still dominated the photographic scene. His images, primarily shot on Kodachrome slide film, resonate with vibrant hues that breathe life into the streets, storefronts, and people of Vancouver.
His photographs often depict mundane scenes and overlooked corners of the city, from neon-lit shops to passing strangers. However, Herzog had an eye for the quiet drama of these scenes, capturing the life and spirit of the city and its inhabitants.
Career Highlights
While Herzog remained relatively unknown throughout much of his career, a shift occurred in the early 2000s. His first major exhibition at the Vancouver Art Gallery in 2007, "Fred Herzog: Vancouver Photographs," helped bring his work into the limelight.
His documentation of post-war Vancouver remains an unparalleled visual history of the city and a testament to Herzog’s keen observational skills and ability to capture the zeitgeist of an era.
Photography Gear
Herzog was known for his use of Kodachrome film, a slide film known for its fine grain and rich, vibrant colors. The film's archival stability also meant that Herzog's photographs have maintained their color and clarity over the years.
He used a variety of 35mm cameras throughout his career, including the Leica M2 and M4. These compact, reliable rangefinders were well-suited to street photography, allowing for quick, unobtrusive shooting. Their excellent lens selection, renowned for sharpness and character, would have complemented Herzog's vibrant color work.
Photography Books
"Fred Herzog: Modern Color" is a comprehensive presentation of Fred Herzog's pioneering work in color photography during a time when the art form was largely monochrome. Herzog's innovative use of color can be seen as a precursor to the New Color photographers of the 1970s. With more than 230 images, some of which are reproduced for the first time, the book offers an expansive view of Herzog's work, capturing the richness and intensity of his Kodachrome slide film. The book's essays by David Campany, Hans-Michael Koetzle, and Jeff Wall provide enlightening commentary and analysis, making it a valuable resource for photographers looking for inspiration in the craft of color photography.
In "Fred Herzog: Black and White", readers are treated to a less known facet of Herzog's work - his early black-and-white photography. Before his famous work in color, Herzog used monochrome film to capture spontaneous acts of perception and create portraits of Vancouver. The https://aboutphotography.blog/photographer/steve-mccurrybook presents a collection of images that evoke a sense of melancholy, not nostalgia, demonstrating Herzog's ability to capture and condense a psychological state within his photographs. This collection provides an essential perspective on Herzog's career and his understanding of light and shadow, providing insights into the artistic potentials of monochrome photography.
"Fred Herzog: Photographs" further explores Herzog's bold use of color during the mid-20th century, at a time when art photography was predominantly black and white. As one of the early adopters of color photography, Herzog's work served as an inspiration for later photographers like Stephen Shore and William Eggleston. The book is a testimony to Herzog's groundbreaking work in color photography and his innovative use of Kodachrome slide film. With authoritative texts by Jeff Wall, Claudia Gochmann, Sarah Milroy, and Douglas Coupland, the book situates Herzog's work in a broader historical and international context, providing additional insights and commentary on his oeuvre. It is an invaluable resource for photographers interested in exploring the potentials and nuances of color in their own work.
Quotes
"I was interested in relatively unimportant things…Things we ignore, like the backyards, the population mix, the various activities – that kind of thing." — Fred Herzog
"I could see that the bright-coloured Kodachrome was the right film for the kind of photography I was doing." — Fred Herzog
"I have always felt that you should do the kind of work that is close to your heart." — Fred Herzog
"The neon signs and the soft drink signs, the cigarette ads and the billboards and the posters and the grafitti and collages of torn-off posters, all that contributes to make the city a place where art actually happens." — Fred Herzog
"It’s exactly the kind of photography I’m doing. It’s the mundane that I'm interested in." — Fred Herzog
Legacy and Influence
Fred Herzog's legacy rests in his singular vision of urban life and his innovative use of color photography. While long overlooked, his work now stands as an essential contribution to the history of photography.
Photographers like Alex Webb, with his keen eye for color and complex, layered street scenes, share Herzog's visual sensibilities. Likewise, the work of Steve McCurry showcases a similar engagement with the vibrancy of urban life and humanity.
Ultimately, Herzog's vibrant, empathetic, and insightful images continue to resonate, offering a window into the world of the past while still reflecting themes and styles that continue to be relevant in contemporary photography.
William Klein
“Be yourself. I much prefer seeing something, even it is clumsy, that doesn't look like somebody else's work.”
William Klein is a titan in the realm of photography, known for his unique, unorthodox, and vibrant vision of the world. Klein’s work stands as a testament to a creative force that defied and ultimately changed the photography industry's conventions.
Early Life and Career
William Klein was born in New York City in 1928, growing up amidst the city's hustle and bustle that would later become a prominent feature in his work. He moved to France after a stint in the army, where he studied painting under Fernand Léger and began experimenting with abstract art.
Klein’s first interaction with photography was when Vogue hired him to create a collection of fashion illustrations. He turned to photography instead, preferring its immediacy. His breakthrough came with the gritty, kinetic 'New York' series, which propelled him into the limelight.
His work echoes the likes of Robert Frank and Garry Winogrand, all known for their unfiltered representation of society and compellingly chaotic compositions.
Photographic Style and Techniques
Klein’s style is characterized by a fascination with the unconventional, the overlooked, and the flamboyant aspects of life. Unlike many contemporaries, Klein did not believe in the detached observer's role; he plunged into his subjects' world, infusing his images with their energy and spirit.
He often used wide-angle lenses, capturing vast scenes and producing distorted, dynamic compositions. His images are filled with bold contrasts, grain, and blur, embracing what was considered technical 'flaws' to create highly expressive images.
Career Highlights
Klein’s illustrious career has spanned multiple decades and diverse domains, including fashion photography, filmmaking, and painting. His fashion photography work in Vogue made him a renowned figure in the industry, pushing the boundaries of the genre with his innovative and irreverent style.
However, it was his candid street photography that brought him international acclaim. His photobook 'New York' (1956), characterized by its kinetic energy and uncompromising rawness, remains a landmark in the history of photography.
Photography Gear
Klein often used a wide-angle lens on a 35mm camera, enabling him to capture his trademark dynamic and immersive scenes. His favored camera was a Pentax 6x7, a medium format SLR. This camera's larger film size allowed for more detail and a wider tonal range, helping to capture the vibrant chaos of his urban landscapes.
Klein was also known to use a fisheye lens and a telephoto lens on occasion. The fisheye lens, with its extreme wide-angle and distorted perspective, was perfectly suited to Klein's offbeat, expressionistic style. The telephoto lens, on the other hand, allowed him to isolate and capture unique moments amidst the chaos.
Photography Books
"William Klein: Yes" presents a landmark retrospective of William Klein's extensive legacy. A master of photography, filmmaking, painting, and design, Klein's body of work has greatly influenced contemporary artists. The book, which was directed by Klein himself, contains over 250 images exploring his creative and artistic journey. It emphasizes Klein's ability to break all conventions, be it in photography or filmmaking, offering unique insights into developing a personal style that defies traditional norms. This book, with its chronological text by David Campany, can serve as an inspiration and resource for photographers seeking to explore unconventional perspectives and techniques in their work.
"William Klein: Celebration", where Klein pays homage to the medium of photography by selecting his favorite works across his career. Ranging from striking black-and-white to vibrant color photographs, the images traverse various cities like New York, Rome, Moscow, Madrid, and Paris, displaying Klein's remarkable versatility. Klein's reflections on photographic art and his reasons for this personal selection provide valuable insights for practicing photographers. This book reveals why Klein's achievement is considered a pinnacle in contemporary photography, inspiring photographers to explore varied themes, styles, and geographies. With his works held in prestigious collections, Klein's impactful imagery and distinct style make this book an excellent resource for those seeking to understand and imbibe the best of contemporary photography.
Quotes
"Be yourself. I much prefer seeing something, even it is clumsy, that doesn't look like somebody else's work." — William Klein
"I came from the outside, the rules of photography didn't interest me... there were things you could do with a camera that you couldn't do with any other medium." — William Klein
"I wanted to be a painter, but I thought photography was the poor man's art... I thought I could just go out in the street and shoot, bang-bang-bang." — William Klein
"I didn't relate to European photography. It was too poetic and anecdotal for me.... The kinetic quality of New York, the kids, dirt, madness — I tried to find a photographic style that would come close to it." — William Klein
"I've never tried to be a good technician or to pretend to be a reporter. I have always been a subjective photographer." — William Klein
Legacy and Influence
The legacy of William Klein is entrenched in his rebellion against the norms of photography. His embrace of 'mistakes' such as blur, distortion, and over-contrasting colors challenged the industry's standards and broadened the realm of what could be considered 'good photography'.
Klein's impact can be seen in the works of several contemporary photographers. Alex Webb, known for his vibrant street photography and complex compositions, shares Klein's penchant for chaotic urban scenes filled with energy and tension.
Equally, the candid, intimate street portraits of Diane Arbus share a similarity with Klein's approach. Both photographers moved beyond the surface to explore the more profound, often unsettling realities of their subjects.
Klein's photographic philosophy — breaking rules, embracing the unconventional, and the spirited depiction of life — will continue to inspire photographers and stand as a testament to his unique perspective of the world.
Bruce Gilden
I'm known for taking pictures very close, and the older I get, the closer I get.
Bruce Gilden (website), the legendary American street photographer, has crafted an identity in the realm of photography through his brash, confrontational style, and intuitive compositional acuity. His raw, visceral images are imbued with an intensity that has defined his oeuvre and set him apart in the annals of street photography.
Early Life and Career
Born in Brooklyn, New York in 1946, Bruce Gilden discovered his passion for photography while studying sociology at Penn State. He honed his skills at the School of Visual Arts in New York and started capturing the city streets, plunging himself into the cacophony and vibrancy that would shape his distinctive photographic voice.
Gilden’s early forays into photography echoed the aesthetics of Henri Cartier-Bresson and Robert Frank. Both these photographers pursued a candid, journalistic style, a quality evident in Gilden's work, with his propensity for extracting stories from spontaneous interactions.
Photographic Style and Techniques
Gilden is renowned for his audacious, up-close approach. His subjects often appear surprised, caught in a freeze-frame of their routine existence. These unconventional, abrupt moments reveal an underlying narrative of the human condition, transcending the mundane and predictable.
Gilden's compositions are renowned for their dramatic use of light and shadow, reminiscent of Alex Webb, another master of color and complex light. Unlike Webb, however, Gilden often employs a flash, highlighting the minute details of his subjects and further enhancing the rawness of his photos.
Career Highlights
Gilden’s career spans decades and continents, covering the streets of New York, the yakuza underworld in Japan, and the homeless communities in London. He joined the prestigious Magnum Photos in 1998, further solidifying his place in the world of photography.
His work has been exhibited globally, including the renowned Museum of Modern Art in New York, and has been published extensively. One of his most celebrated works is 'Facing New York' (1992), an arresting collection of up-close-and-personal portraits that embody his confrontational style.
Photography Gear
Gilden’s weapon of choice has long been the Leica M6 with a 28mm lens. The Leica's compact size and silent operation are perfectly suited for street photography, allowing Gilden to get close to his subjects without disturbing the scene. The 28mm lens provides a wide field of view, essential for capturing the frenetic energy of urban landscapes.
For his flash, Gilden frequently uses a Contax T3 flashgun. This flash's powerful output ensures every facial crease, pore, and texture is illuminated, enhancing the palpable realism of his images.
Photography Books
"Bruce Gilden: Cherry Blossom" captures the hidden side of Japan, a country that had long fascinated the renowned Magnum street photographer Bruce Gilden. There are no cherry blossom trees or geishas on these pages; Gilden’s camera points toward the darker sides of Japanese life. Every photograph portrays a close and powerful encounter, offering practicing photographers a unique perspective on capturing the unseen aspects of a society. This book provides valuable insights into Gilden's approach to travel photography and his penchant for the raw and gritty.
"Facing New York", a recognized photobook classic by Bruce Gilden that captures the idiosyncratic citizenry and unique energy of New York streets. It offers an invaluable look into Gilden's fascination with characters, giving photographers an insight into the use of personality and character in defining the photographic style and narrative. This book showcases how one can create compelling city portraits, focusing on the character rather than just the landscape.
"Bruce Gilden Lost & Found" is another testament to Gilden's unique approach to street photography. This book is a masterclass on how to work with spontaneity, the unexpected, and the candid moments of city life, offering a wealth of inspiration for photographers seeking to create impactful street photography. The narrative of this book will allow photographers to learn how to craft compelling stories from their photoshoots.
"Bruce Gilden: Haiti" presents dramatic, confrontational images of a country enduring upheaval and disaster. Gilden tirelessly documents the everyday lives of Haitians, their history and terrain, from city markets to nightlife and funeral ceremonies. This book offers photographers a comprehensive study in documentary photography and the powerful role it plays in bringing unseen stories to light. The visual diversity of Haitian culture captured in the book also serves as a source of inspiration for those interested in capturing and presenting cultural richness through photography.
Quotes
"I'm known for taking pictures very close, and the older I get, the closer I get." — Bruce Gilden
"I love the people I photograph. I mean, they're my friends. I've never met most of them or I don't know them at all, yet through my images, I live with them." — Bruce Gilden
"When I'm photographing someone, it's like meeting that person for the first time and the last time." — Bruce Gilden
"Every picture I take is a portrait of myself." — Bruce Gilden
"I find the people who are interesting. The freaks, the unique individuals... And the people who don’t belong." — Bruce Gilden
Legacy and Influence
Bruce Gilden's impact on street photography is profound. His innovative, in-your-face style has pushed the boundaries of the genre and inspired countless photographers worldwide.
Though his technique might seem aggressive to some, Gilden's body of work exhibits an undeniable fascination with thehuman soul. His distinctive approach has influenced street photographers such as Eric Kim, who also employs close proximity and direct engagement with his subjects to create intimate, raw imagery.
Moreover, Gilden's practice of turning the streets into a stage echoes in the work of Garry Winogrand, who shared a similar interest in documenting urban life's theatricality. While Winogrand was part of an older generation, the thematic resonance between their works highlights how Gilden's style is rooted in a rich tradition, yet is uniquely his own.
Gilden has challenged the norms of street photography, proving that beauty, intrigue, and truth can be found not just in harmony and order, but also in the chaos, the raw, and the uncensored. His relentless pursuit of truth, stripped of societal pretenses, continues to invigorate the genre, and his indelible contributions will inspire generations of photographers to come.
Alec Soth
"I believe in the basic notion that the world is infinitely interesting."
Alec Soth (website), born in 1969, is an American documentary photographer renowned for his poetic and intimate visual storytelling. His work often explores the American experience, capturing the beauty and melancholy of overlooked places and people. Let’s talk about the life and career of Alec Soth, examining his photographic style, techniques, and the legacy he continues to build.
Early Life and Career
Alec Soth grew up in Minnesota and developed a passion for photography from an early age. He studied at Sarah Lawrence College in New York, where he honed his skills and began to develop his unique visual voice. After graduating, Soth returned to Minnesota and started working on various photographic projects that would later shape his career.
In 2004, Soth gained international recognition with his series "Sleeping by the Mississippi," which showcased his talent for capturing the spirit of the American landscape and its inhabitants. His work has been featured in numerous exhibitions and publications since then, including the prestigious Magnum Photos agency, of which he became a nominee in 2004 and a full member in 2008.
Photographic Style and Techniques
Alec Soth's photography is characterized by its quiet intimacy and attention to detail. He often focuses on the mundane and the overlooked, revealing the beauty and humanity in his subjects. His images evoke a sense of nostalgia and melancholy, capturing the essence of the American experience. In terms of composition, Soth favors a straightforward, almost minimalist approach that allows the viewer to fully engage with the subject matter.
Throughout his career, Soth has used a large-format 8x10 view camera to produce high-quality, detailed images. This choice of equipment, combined with his keen eye for composition and narrative, has led to a distinctive visual style that sets his work apart.
Career Highlights
Some of Alec Soth's most notable projects include:
"Sleeping by the Mississippi" (2004): This series brought Soth widespread acclaim and features a collection of photographs taken along the Mississippi River, showcasing the lives of its residents and the landscapes they inhabit.
"Niagara" (2006): In this project, Soth explored the town of Niagara Falls and its surrounding areas, capturing the tension between the romantic ideal of the falls and the often harsh reality of life in the region.
"Broken Manual" (2010): This body of work focuses on individuals who have chosen to live off the grid and examines the desire for solitude and escape from modern society.
"Songbook" (2015): Inspired by the tradition of the American songbook, Soth traveled across the United States to create a visual record of the country's contemporary social landscape.
Photography Gear
Alec Soth is known for using a large-format 8x10 view camera, which allows him to capture highly detailed images with a remarkable depth of field. This type of camera is ideal for his style of documentary photography, as it enables him to create visually stunning images that draw the viewer into the scene. The use of large-format film also results in a slower, more deliberate approach to photography, which aligns with Soth's focus on intimate storytelling and attention to detail.
Photography Books
"Sleeping by the Mississippi" is a defining publication in the photobook era by Alec Soth. Evolving from a series of road trips along the Mississippi River, this book captures America's iconic yet oft-neglected 'third coast' through a richly descriptive mix of individuals, landscapes, and interiors. For practicing photographers, the book offers insights into Soth's unique approach to documentary-style photography with poetic sensibility, capturing a consistent mood of loneliness, longing, and reverie.
"Songbook" sees Alec Soth shifting his focus towards community life in America. Assuming the role of a community newspaper journalist, Soth traveled from state to state between 2012 and 2014, attending various meetings, dances, festivals, and gatherings. Stripping the images of their news context, Songbook highlights the root desire for human connection and portrays a lyrical representation of the tension between American individualism and the desire to unite, providing inspiration and insight for photographers exploring themes of community and connection.
"A Pound of Pictures" is a celebration of the photographic medium, featuring an entirely new collection of work by Alec Soth made between 2018 and 2021. Depicting a vast array of subjects, this book reflects on the photographic desire to capture and crystallize experience, as well as the significance of printed images in representing and recollecting those experiences. This book offers practicing photographers a look into Soth's thought process and the connection between the ephemeral and the physical in photography.
"Gathered Leaves Annotated" brings together five of Alec Soth's major books in a single, compact, and densely detailed volume. Reproducing every spread from these books with detailed annotations, this unique publication offers an updated roadmap through Soth's oeuvre, providing insights into his creative process and reinforcing his position as a master of the book form. This compilation serves as an invaluable resource for photographers looking to explore Soth's diverse body of work and learn from his artistic journey.
Quotes
"I believe in the basic notion that the world is infinitely interesting."
"Photography is a very lonely medium. There's a kind of beautiful loneliness in voyeurism."
"I think of my work as being about the relationship between the landscape and the people who inhabit it."
"I'm not trying to make statements about America. I'm trying to find questions about it."
"For me, photography is about storytelling. I'm interested in the poetic and the narrative."
Legacy and Influence
Alec Soth's photography has had a significant impact on the world of documentary photography, particularly for those interested in exploring the American experience. His work has resonated with photographers like Bieke Depoorter, who also seeks to capture the essence of everyday life and the human experience through her images.
In a different context, another photographer who shares a similar sensibility to Soth is Christopher Anderson, known for his intimate and empathetic approach to documenting the lives of his subjects. Both photographers excel at creating a sense of connection between the viewer and the people they photograph, highlighting the beauty in the mundane.
Alec Soth's work has been widely exhibited and collected by institutions such as the San Francisco Museum of Modern Art, the Museum of Fine Arts in Houston, and the Walker Art Center in Minneapolis. His influence is felt not only in the world of photography but also in the broader art world, where his ability to tell compelling stories through images has garnered widespread admiration.
In conclusion, Alec Soth's intimate and evocative approach to documentary photography has left a lasting mark on the field, inspiring both established and emerging photographers to find beauty and meaning in the ordinary. His work serves as a reminder of the power of photography to tell stories, explore the human experience, and create connections between people and places.
Alfred Eisenstaedt
"It is more important to click with people than to click the shutter."
Alfred Eisenstaedt was a pioneering photographer known for his ability to capture defining moments in history with a single frame. Often referred to as the "Father of Photojournalism," his iconic images have left an indelible mark on the world of photography.
Early Life and Career
Alfred Eisenstaedt was born in 1898 in Dirschau, West Prussia, which is now part of modern-day Poland. At the age of 14, he received his first camera as a gift, sparking his lifelong passion for photography. Eisenstaedt began his career as a freelance photographer in Berlin during the 1920s. In 1935, he moved to the United States to escape the growing persecution of Jews in Nazi Germany. There, he joined the newly established Life magazine, where he worked for over 40 years, producing more than 2,500 photo essays and 90 covers.
Photographic Style and Techniques
Eisenstaedt's photographic style is characterized by his ability to capture the essence of a moment with spontaneity and authenticity. He excelled at street photography and candid portraiture, often using natural light to illuminate his subjects. This approach allowed him to document significant historical events, such as the signing of the Treaty of Versailles and the end of World War II, as well as everyday life in the cities he visited.
Eisenstaedt was known for his patience and perseverance, often waiting for the perfect moment to press the shutter button. He once said, "It is more important to click with people than to click the shutter." This philosophy is evident in the warmth and humanity that radiate from his photographs.
Career Highlights
Some of Eisenstaedt's most famous images include "V-J Day in Times Square," which depicts a sailor passionately kissing a nurse in the midst of a celebratory crowd on Victory over Japan Day, and his candid portraits of famous personalities like Marilyn Monroe, Sophia Loren, and Winston Churchill. His work has been exhibited in galleries and museums around the world, and he has received numerous awards and accolades for his contributions to photojournalism.
Photography Gear
Eisenstaedt primarily used a Leica rangefinder camera with a 35mm lens, which allowed him to work quickly and unobtrusively. This compact and lightweight setup enabled him to capture candid moments without drawing attention to himself. He also occasionally used medium-format Rolleiflex cameras, especially for portraits.
Photography Books
"Eisenstaedt: Remembrances" is a comprehensive collection of work by Alfred Eisenstaedt. It presents photographs dating from his life in Germany in the 1930s through his long career with Life magazine. This book showcases Eisenstaedt's diverse range of subjects and his unique ability to capture the essence of a moment. For practicing photographers, it offers valuable insights into the evolution of his photographic style and serves as a rich source of inspiration.
"Eisenstaedt on Eisenstaedt: A Self-Portrait" is a captivating self-portrait by Eisenstaedt himself. Accompanied by Eisenstaedt's own commentary on his career, this book features photographs of politicians, scientists, musicians, dancers, children, and other subjects. It provides an intimate glimpse into the mind of a master photographer, allowing readers to learn about the techniques, artistic choices, and thought processes that shaped his work. This book is an invaluable resource for photographers looking to gain a deeper understanding of Eisenstaedt's approach and philosophy.
"Eisenstaedt: Witness to Our Time" is a compelling portrayal of the men and women who have made world history over the past four decades, captured by Alfred Eisenstaedt. This book demonstrates Eisenstaedt's remarkable talent for capturing the spirit and emotions of his subjects, making it a valuable resource for photographers seeking to develop their own skills in documenting historical events and figures. The book serves as both a testament to Eisenstaedt's incredible career and a source of inspiration for photographers who aspire to follow in his footsteps.
Quotes
"It is more important to click with people than to click the shutter."
"The important thing is not the camera but the eye."
"Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it remembers little things, long after you have forgotten everything."
"I don't like to work with assistants. I'm already one too many; the camera alone would be enough."
"To this day, I never, never want to see a picture before it is in the paper."
Legacy and Influence
Alfred Eisenstaedt's groundbreaking work in photojournalism has influenced generations of photographers, such as Robert Capa, Henri Cartier-Bresson, and Steve McCurry, who have all used their cameras to document important moments in history and the human experience. His candid approach to capturing the essence of a moment can also be seen in the work of street photographers like Garry Winogrand, Vivian Maier, and Joel Meyerowitz.
Alfred Eisenstaedt's groundbreaking career in photojournalism has left a lasting legacy on the world of photography. His innovative approach to capturing the essence of a moment and his ability to connect with his subjects have inspired countless photographers who have followed in his footsteps. Eisenstaedt's work serves as a testament to the power of photography to document history, foster empathy, and illuminate the human experience.
Edward S. Curtis
"The passing of every old man or woman means the passing of some tradition, some knowledge of sacred rites possessed by no other."
Edward S. Curtis was an American photographer and ethnologist, best known for his extensive documentation of Native American peoples and their cultures. Through his ambitious project, The North American Indian, Curtis captured the lives and traditions of numerous tribes, providing an invaluable record of a world that was rapidly disappearing.
Early Life and Career
Born in 1868 in Wisconsin, Curtis grew up with a strong interest in photography. He built his first camera when he was just a teenager, and by the time he was in his 20s, he had established a successful photography studio in Seattle. In 1895, Curtis had his first encounter with Native Americans, photographing Princess Angeline, the daughter of Chief Seattle. This experience sparked his lifelong fascination with Native American culture.
Photographic Style and Techniques
Curtis's photographic style was characterized by its meticulous attention to detail and a desire to present his subjects with dignity and respect. He often used large-format cameras and employed techniques such as platinum printing and photogravure to create high-quality, visually striking images. Curtis's work was part documentary and part art, as he sought to capture both the cultural traditions and the human essence of the Native American tribes he encountered.
Career Highlights
Curtis's most significant accomplishment was his monumental work, The North American Indian, a 20-volume series featuring over 2,200 photographs and extensive ethnographic text. The project, which took more than 30 years to complete, documented the lives, customs, and ceremonies of over 80 Native American tribes. The North American Indian remains an essential resource for understanding the cultural history of Native Americans in the United States.
Photography Gear
Curtis primarily used large-format cameras to capture the detail and depth of his subjects. Some of the cameras he used included the Century Universal View Camera and the Korona View Camera. These cameras, along with high-quality lenses like the Cooke Anastigmat lens, allowed Curtis to create images that showcased the intricacies of his subjects' faces, clothing, and surroundings. The large negatives produced by these cameras were well-suited for the photogravure and platinum printing processes that Curtis employed.
Photography Books
"The North American Indian: The Complete Portfolios" showcases the monumental 30-year project of renowned photographer Edward Sheriff Curtis, who aimed to produce a comprehensive study of North American Indians. Curtis visited 80 American Indian tribes, capturing the traditional way of life that was beginning to fade. This book compiles his entire American Indian portfolio, presenting a precious historical document and a triumph of the photographic form. For practicing photographers, it offers a unique perspective on the blend of artistic and scientific ambition in Curtis's work.
"Edward S. Curtis: One Hundred Masterworks" is a groundbreaking monograph curated by the world's leading authority on Edward Curtis, Christopher Cardozo. The book presents over 250 of Curtis's most compelling and significant photographs, covering various styles, subjects, and geographical areas. The book reveals Curtis's mastery of photographic mediums and his commitment to documenting and preserving Native American traditions. It features both iconic and rarely seen images, further enriched and contextualized by essays from world-recognized experts, making it an invaluable resource for photographers seeking inspiration and insight into Curtis's artistic vision.
"Edward S. Curtis Portraits: The Many Faces of the Native Americans" contains over 250 beautiful and haunting portraits commissioned by J. P. Morgan as part of a series of books depicting Native American life. Curtis's highly expressive portraits reveal the trust he established with his subjects and serve as exquisite examples of classic portraiture. While Curtis has faced criticism for idealizing his subjects, his deep respect for them and his earnest attempt to understand them shine through in his work. For practicing photographers, this compact volume offers a glimpse into the art of portrait photography and the preservation of a culture's history.
Quotes
"The passing of every old man or woman means the passing of some tradition, some knowledge of sacred rites possessed by no other."
"I want to make them live forever. It's such a big dream I can't see it all."
"Photographs are the most effective means of giving others a correct idea of the life and manners of the Indian."
"The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost."
"I want to document the Indians of North America as they are today - while there is still time."
Legacy and Influence
Edward S. Curtis's work has left a lasting impact on the fields of photography and anthropology. His dedication to documenting Native American culture has inspired generations of photographers, including Dorothea Lange and Mary Ellen Mark, who have similarly sought to capture the lives and experiences of marginalized communities.
Edward S. Curtis's extraordinary commitment to documenting the vanishing world of Native American culture has left an indelible mark on the world of photography. His striking images and extensive ethnographic research will continue to inspire future generations of photographers and serve as an invaluable resource for understanding the rich cultural history of Native American peoples.
Curtis's work not only provided a visual record of a disappearing way of life, but it also served to raise awareness of the plight of Native Americans in the early 20th century. His photographs have been exhibited in galleries and museums worldwide, and his dedication to preserving Native American culture has garnered him recognition as one of the most important figures in the history of documentary photography.
Donec id justo non metus auctor commodo ut quis enim. Mauris fringilla dolor vel condimentum imperdiet.